A Quote by Waite Hoyt
I went in, and there, in the front room, a converted bedroom, sat the first radio I had ever seen. The equipment was so bulky that it took up one entire wall of the bedroom. The set, which could send or receive signals, was tuned to KDKA in Pittsburgh, and I remember being completely flabbergasted at the thought of sounds coming from that box.
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I've come from a working class background in South Wales with eight of us in a three bedroom house. Four boys in one bed, two sisters in the other bedroom and mum and dad in the box room.
I spent so much time in my bedroom. It really was my entire world. I had books up there, my music up there, my record player. Going from my world upstairs out onto the street, I had to pass through this no-man's-land of the living room, you know, and out the front hall.
I bought a house, it's a two bedroom house, but I think it's up to me to decide how many bedrooms there are. This bedroom has an oven in it. This bedroom has a lot of people sitting around watching TV. This bedroom is over in that other guy's house.
What will you do with them?" "Redo them in charcoal, probably." "And then?" "Tack them to my bedroom wall." Bedroom wall? "Who wouldn't want to wake up to this?
My latest theory is that it's - well, I describe it as, like, being in an apartment with kind of thin walls. And in the apartment next door, they've got a radio tuned constantly on - tuned to a really cool radio station. It's on all the time. And you can just hear it coming through the wall all the time.
I was actually born in the front bedroom while my dad sat on the wall outside, feeling sick. Twenty minutes after my mother gave birth, she went downstairs and made my old man a cup of tea.
Just about the entirety of the first album, 'Brown Sugar,' I wrote it, the majority of that record in my bedroom in Richmond. And all of the demos for it were done on a four-track in my bedroom. I think EMI was a little leery of me being in the studio producing it on my own, which is what I was fighting for.
I am really chained to my computer these days so I work in my bedroom, which is a room I have worked in for years and years. It is just as much an office as a bedroom, and during the day, my bed is rather like an extension of my desk.
Our cellar home had a kitchen and a combination bedroom and half bath, which meant we had a sink next to the bed. We had no refrigerator, no shower or tub, and no privacy. My parents shared the bedroom with my sister and me.
I ended up getting on my knees right there in my bedroom. I didn't have a tract that had, you know, 'here's how you pray to receive Christ' on it. I had never seen a tract in my life. I had never read a Bible.
I used to stand in front of the mirror in my bedroom. I shared a bedroom - like a lot of people in my era, in my neighborhood - with my two brothers and an uncle. And I'd stand there in front of the mirror over the dresser and I would practice: meek young men grow up in libraries, believing it their duty to accept the views of Cicero, Bacon and Baba.
I went to a party when I was a student and they had a mynah bird up in the bedroom where people put their coats. I was completely captivated - I just sat there all night talking to it. The next day I passed a pet shop and they had a conure - it's a little parakeet - in the window. I bought it, not knowing what it was or how to look after it.
I had an apartment on Long Beach Blvd and San Vicente in Long Beach, California. That was the apartment I done 'Regulate' in. I had all my equipment set up in the bedroom, a vocal booth in the bathroom and in the closet, and that's where we created it. I had an MPC 60, a Numark mixer, and a Technics 1200, and a ton of records.
It was (Nick Frost's) first-ever bedroom scene and my first-ever bedroom scene...not that we were actually doing much, but we did have to lie sort of semi-nude under the sheets. And he was incredibly sort of vibrant and outgoing, but then he suddenly got very, like, 'I'm engaged and I'm getting married!' And I was, 'Okay, that's good. I just won't be touching you, then!'
One open, one closed. It was no wonder that the first image that came to mind when I thought of either of my sisters was a door. With Kirsten, it was the front one to our house, through which she was always coming in or out, usually in mid-sentence, a gaggle of friends trailing behind her. Whitney’s was the one to her bedroom, which she preferred to keep shut between her and the rest of us, always.
When I was a kid my primary goal in life was to find a book that was alive. Not alive in the human sense, but like a thing that would send me to a place not otherwise accessible on Earth. This book should have hidden words encrypted beneath the printed ones, so that if I worked hard enough and discovered the code I would somehow end up inside the book, or the book would take on a body and consume me, revealing a secret set of rooms behind the wall in my bedroom, for instance, inside which anything could be.
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