A Quote by Wale

Most artists should be able to make the album that they want. You don't necessarily pick the singles that you want when you're making a record, but for the most part it's the same process.
You don't necessarily pick the singles that you want when you're making a record, but for the most part it's the same process. You're the artist - you make the music that you want to make.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
My ambition is we want artists to be able to afford to create the music they want to create, and if it takes them five years to sit down and make the album they want to make, they should be able to afford that. That's my goal.
Six months is the most you can ask of any fan in this day and age, with the Internet and all these new artists. I understand that my music is in a lot of mediums. Some people want me to make an R&B album. Some people want me to never sing again. I just don't want people to be able to draw comparisons between my old songs and my new ones.
The first album is a special one for most bands or most artists in general. The first record is your whole life, and then after that you have a couple of months to write stuff and get it for the next record.
I just make what I'm making, and then one day I won't want to make it anymore. I think that's a luxury we should be able to have as people, especially as artists.
I think I've grown a lot in the last few years, and I needed to express myself as an artist on this. It wasn't necessarily about going in and making an album chocked full of hit singles... there were a lot of things I did out of the joy and the want to do it.
I don't want to put 12 singles on an album. I want to make a story, a little movie.
They call them performance artists, but they shouldn't be making an album. They should just be dancers. I don't know, I'm a musical snob. I feel like if you're going to record music and you're going to be a singer, you have to be able to sing.
I grew up in the era of the concept album. What I do now is pick up on singles, and they are their own complete stories; you don't necessarily have to hear the rest of the album because I don't think albums are created like that anymore. They get songs from all over the place.
The music brings me confidence and freedom. It's also the thing that can make me feel the most vulnerable. Once I finish writing all the songs for an album, once I actually record them, that whole process is usually easy and enjoyable. The part where I feel the most vulnerable is when it's all finished, I can make no more changes, I've turned it in, and there's no going back. All of a sudden I hear the songs in a different way; that's when I feel vulnerable.
I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
And since discriminating fans can pick and choose exactly what they want to buy, artists and their labels are more conscious than they've ever been of making sure that every song on a new album is as good as can be.
What record companies do these days is drain the blood dry of an album, take six singles off it, and harm the longevity of artists' careers by doing it.
I don't hold myself out as a role model. I don't believe that everyone should make the same choices; that everyone has to want to be a CEO, or everyone should want to be a work-at-home mother. I want everyone to be able to choose. But I want us to be able to choose unencumbered by gender choosing for us.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
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