A Quote by Walker Evans
Leaving aside the mysteries and the inequities of human talent, brains, taste, and reputations, the matter of art in photography may come down to this: it is the capture and projection of the delights of seeing; it is the defining of observation full and felt.
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To speak technically photography is the art of writing with light. But if I want to think about it more philosophically, I can say that photography is the art of writing with time. When you capture an image you capture not only a piece of space, you also capture a piece of time. So you have this piece of specific time in your square or rectangle. In that sense I find that photography has more to do with time than with light.
Photography - the supreme form of travel, of tourism - is the principal modern means for enlarging the world. As a branch of art, photography's enterprise of world enlargement tends to specialize in the subjects felt to be challenging, transgressive. A photograph may be telling us: this too exists. And that. And that. (And it is all 'human.') But what are we to do with this knowledge - if indeed it is knowledge, about, say, the self, about abnormality, about ostracized or clandestine worlds?
On accepting adversity in our lives: Always it is initiated by an act of will on our part; we set ourselves to believe in the overruling goodness, providence, and sovereignty of God and refuse to turn aside no matter what may come, no matter how we may feel. I mistakenly thought I could not trust God unless I felt like trusting Him. Now I am learning that trusting God is first of all a matter of the will. I choose to trust in God, and my feelings eventually follow.
I have little taste for fashionable dissipations, cards, and dancing; the theatre and tea parties are my aversion, and I look with little envy on those who find their enjoyment in such transitory delights, if delights they may be called.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
Photography is an art of observation - it's about creating something extraordinary out of the ordinary. You choose a frame and then wait until the right time for something magical to come along and fill it.
For a girl, appearance can be a powerful form of oppression. No matter how intelligent a girl may be, no matter her many talents, these attributes are not easily discerned. Brains and talent will never stand up against a girl who is clearly physically attractive.
A heightened sense of the observation of nature is one of the chief delights that have come to me through trying to paint.
By means of microscopic observation and astronomical projection the lotus flower can become the foundation for an entire theory of the universe and an agent whereby we may perceive Truth.
What we're seeing "out there" is the projection of where we're at--the projection of the clingings of our minds.
I've found that in life, and certainly in music, it's all just a series of occurrences in which you are constantly assessing the potential outcome of your decisions based on past precedence. As an aside, this is apparently the defining factor in science that separates artificial intelligence from human consciousness. One thing that our brains are really good at is taking a bunch of answers and extrapolating the question, whereas in computing, you input a question and it will provide an answer.
Has it led you to the conclusion that photography is an art ? Or it is simply a means of recording ? "I'm glad you asked that. I've been wanting to say this for years. Is cooking an art ? Is talking an art ? Is even painting an art ? It is artfulness that makes art, not the medium itself. Of course photography is an art - when it is in the hands of artists."
A good taste in art feels the presence or the absence of merit; a just taste discriminates the degree--the poco piu and the poco meno. A good taste rejects faults; a just taste selects excellences. A good taste is often unconscious; a just taste is always conscious. A good taste may be lowered or spoilt; a just taste can only go on refining more and more.
It may be said that myths give to the transcendent reality an immanent, this-worldly objectivity. Myths speak about gods and demons as powers on which man knows himself to be dependent, powers whose favors he needs, powers whose wrath he fears. Myths express the knowledge that man is not master of the world and his life, that the world within which he lives is full of riddles and mysteries and that human life also is full of riddles and mysteries.
I collect art on a very modest scale. Most of what I have is photography because I just love it and it makes me happy and it looks good in my home. I also have a pretty big collection of art books mainly, again, on photography. A lot of photography monographs, which is great because with photography, the art itself can be reproduced quite well in book form.
taste governs every free - as opposed to rote - human response. Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas.
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