A Quote by Walker Hayes

When I was at Capitol - and this was not Capitol's fault - I was aiming, you know. I would listen to country radio and go, 'What version of me does radio want?' — © Walker Hayes
When I was at Capitol - and this was not Capitol's fault - I was aiming, you know. I would listen to country radio and go, 'What version of me does radio want?'
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
I always loved music and would listen to the radio and watch out for new stuff. When I was about nine or ten, I would go around to me friend's house on a Sunday when the top twenty was broadcast on the radio at 6 P.M., and we would tape it on a cassette, and then we would take turns in sharing it over the next week.
People ask me what's like to hear our song on the radio. I don't know, I don't listen to the radio
If I can make it clear that I’m still defying the Capitol right up to the end, the Capitol will have killed me... but not my spirit. What better way to give hope to the rebels?
As a kid I loved to listen to the radio, later I became a radio artiste and would listen to the BBC.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.
Voiceover work reminds me of old-time radio. When I was little I used to sneak and stay up at night and listen to Mystery Radio Theater - I loved all those old radio plays.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
At home, the radio was a big source and the classic radio programs we would listen to like Amos and Andy and whatever other ones there were.
The power of a label and radio and a booking agency and all that - you never know until you experience it the first time, but being able to have a song on radio, but then go play a show for people that have heard the song on radio, and having it sung back to you, is - I don't know how to describe it.
You gotta start somewhere. It is what it is. People listen to Soundcloud more than the radio. So why would you put your music on the radio first?
A few people have asked me about the women agenda on country radio. I can only speak for myself on this, and all I have to say is that I'm very grateful, and thankful, that country radio has been so automatically accepting, and supportive, of me and my music.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
Ironically, the success I've experienced at country radio has left me ostracized from pop and other formats of radio.
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