A Quote by Walker Hayes
Kenny Chesney's music cuts. He gets into those massive ballads like 'There Goes My Life' and 'The Good Stuff' and things like that that just crush you, and delivers them so well. Some of that you can't really put your finger on; it's just magic.
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I don't really read a lot. I got a few Booker Prize books and some others and thought I'd try this but quite quickly I just stick them down. I do like some Stephen King books but with some of them I just put them down as well. But I'm like that with telly stuff as well and films or music.
I literally wouldn't have dreamed of it in a million years that I'm going to be standing there with George (Strait) and Garth and Kenny (Chesney) and Reba (McEntire) and Brooks & Dunn. I don't really have any clue what I'm actually doing with those people because I feel like I'm still just getting started and I've seen them all in concert and they're all my heroes.
When I was a teenager, my biggest lessons came from Kenny Chesney, Tim McGraw, George Strait, Rascal Flatts and Brad Paisley. I learned so much from opening up for those artists, and it also taught me how to treat your opening acts and make them feel like they're part of a family, not just a tour.
I won't forget those kind of things, but I just want to write them down and look at them. It's almost like when things like music come out and you're listening to a song and you have experiences with art or phenomena that supersede your simple relationship with them as just a piece of art. They're more than that. That's just what those quote are for me. They're big, they're important.
If I could put my finger on it, I'd bottle it and sell it. I came down here originally in 1972 with some drunken fraternity guys and had never seen anything like it - the climate, the smells. It's the cradle of music; it just flipped me. Someone suggested that there's an incomplete part of our chromosomes that gets repaired or found when we hit New Orleans. Some of us just belong here.
There's a side of fashion that's very analytical and data-oriented and methodical, but there's also a side of it that's just like magic. You can't quite put your finger on it, and you can't quite describe or prescribe a formula for how to get that magic exactly, but when you feel it and when you see it,you know that's what it is. It's magic.
You know when you just get around someone and they just vibrate at a really good level? You can't put your finger on it but you meet these people in your life, they walk into the room as a stranger and you just go, 'Whoa. They've got it.'
Most of the time, the songs have jokes in them, little sarcastic things, or purposely kitsch or something. So that's going along with a story, like I do in life, just talking to myself and making fun of stuff and laughing at stuff that's serious. And sometimes it's a good idea to put the laughing into the songs. Sometimes it's not. Sometimes it's all right just to be serious. But most of the songs have some kind of joke in them.
Stand-up is a real art form in itself and one that I really think to be good at you have to devote your entire life to. It's the really, really good ones that end up getting to do the things that I like to do: movies, TV shows, and stuff like that. It's a really hard gig and it just never called to me.
The music I really like to get off on is the old rhythm 'n' blues and rock 'n' roll stuff... that's what I really dig. And I also dig to sing ballads as well. And I also dig writing my own songs. I was just trying to find a way of integrating the whole thing, taking a look at the total picture.
My favorite type of music to sing is definitely those big ballads, I just love doing those power ballads.
He shook his head. "Some people think that they like music, but they have no idea what it's really about. They're kindding themselves. Then there are people who feel strongly about music, but just aren't listening to the right stuff. They're misguided. And then there are people like me."
"People like you," I said. "What kind of people are those?"
"The kind who live for music and are constantly seeking it out, anywhere they can. Who can't imagine a life without it. They're enlightened."
The first role as "Fashion Show Guy" should not be on my IMDb anymore. That's the sort of thing you put on your IMDb when you have no credits and you really just want to have a line on your résumé. I had just gotten to New York and there was a massive open call for extras for Sex and the City. One of my college roommates' buddies - there was some connection - she worked in the office and saw my name in the massive stack of randoms just trying to be on the show, which was a big hit. She's like, "I know this dude. Let's throw him in there."
I always feel like there's something magic in recording studios. There's a reason good music continues to be made in them. It's just some mojo element.
This whole show business industry is awkward; I just met you and I'm telling you personal things about my life. But that's my life: "Hey, how you doing?" There are not a lot of people that you can relate some of these things to, so it's nice when you meet someone who is going through similar stuff - not "going through," but that "gets" stuff like that.
Someone has to really like you to go out there and physically get your CD. Shout out to everybody who actually paid for the CD. A lot of people don't realize that's how we live, that's our job. When we people take music from us, that's just like taking food off of our table and it's not cool. It's a lot of blood, sweat and tears that goes into the music and those lyrics. To have people just go and steal it, it doesn't feel well.
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