A Quote by Walker Hayes

My music is just about that bounce and getting everybody moving. — © Walker Hayes
My music is just about that bounce and getting everybody moving.
There's no such thing as 'sissy bounce.' We don't separate it here in New Orleans at all. It's just bounce music. Just because I'm a gay artist, they don't have to put it in a category or label it.
I used to think that animation was about moving stuff. In order to make it really great, you bounce it, squash it, stretch it, make the eyes go big. But, as time went on, I started loving animating a character who had a kind of burning passion in her heart. Suddenly, animation became for me not so much about moving stuff as it was about moving the audience.
I want to be the first guy to help people accept everybody for who they are. I'm talking about colors, religions, sex, everybody. My music is for everybody, it's not just for one kind of group.
L.A. was just an inspiring kind of place to be. It felt like going to Paris in the Twenties and Thirties. Everybody's there. Everybody's hanging around. Everybody's talking about music.
Hillary Clinton should get a bounce out of her convention, I mean a bounce in the polls. I think it's probably conceded that Donald Trump got about a three-point bounce out of his conventions. He's closed the gap that much.
The Ping 51-degree makes for a nice transition from the irons. On my 60, it says 8 degrees of bounce, but I grind it to about 5 or 6 degrees. I tried a head with less bounce, but it just didn't look right.
I see everybody arguing about what the value of music should be instead of what I think the bigger conversation is, which is that music has value, it's subjective and we're moving to a new era where the audience is taking more responsibility for supporting artists at whatever level.
I know you can't please everybody; you can't make everybody happy, but just getting that perception that I don't care about basketball and what it brings is a lie.
I go through ups and downs in the psyche all the time, and then once you start moving again, it's amazing how you can always bounce back. You get, like, in a low rut, and you think, 'This is it; my life is a train wreck.' And then you bounce back again.
I believe that people make mistakes, but I also believe that you bounce back from those and I'm just moving forward.
Everybody is talking and everybody is trying to block things out, but eventually you just yell, "Action!," everybody starts moving, the camera starts going, and you get a take.
You can't please everybody, and basically I just decided to please myself first on this record. This record is more like my diary and I am expressing myself through my music. And that's what it should be about. That's why I didn't change my name or anything. It's not about the name; it's about the music. The old saying goes that video killed the radio star and it's very true. And now I'm just letting everything revolve around the music. There is no image; I am just being myself.
Everybody accuses me of moving fast when I direct a picture. I don't move fast, but I just keep moving.
When the passer's back foot hit the ground on his setup, I wanted the ball gone. If no one was open, if he had to buy time, I wanted him to bounce in place. And then I only wanted him scrambling as a last resort. When you bounce, you maintain your balance. When you start moving, you create an unnatural position for yourself. I want everything to be natural.
Doing stand-up comedy is in the middle of a traffic jam getting everybody moving again.
I got pregnant in just a couple of months after my marriage. The game plan was to have the pregnancy and bounce back and getting in the limelight again. But I have never experienced anything like that... It was just the opposite.
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