A Quote by Walker Hayes
I've never been afraid to work for money; it's just - it got tough there to work and to write songs at the same time.
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Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
I don't sit and write records from start to finish. I write all the time, and when it's time to record you just look and see what songs you've got that could work together as a group thematically.
I enjoy going to work and having a good time. It's tough when you got to work with people who just are in a bad mood all the damn time.
Making money has always been pretty easy for me, but today I don't need any more money. I still work, because money is important, but my work is more important than the money, now. And that's a very big difference. I just work because I enjoy my work.
I listen to a lot of different kinds of music and rather than just doing one thing when I make an album, the challenge to myself is to write all these diverse tracks, but to make them work. It's like a jigsaw because if you've got a lyrical track going into a hard rock track... it's got to work. You've got to write things that will work together.
I just write all the time. In my whole life I've never had what I've heard people talk about writer's block. I've never had that. Life is like a song to me. I just hear everything in music, so I have never once thought "Well, I'm never gonna be able to write again." I've got thousands of songs.
I don't want to sing songs and write songs that need to have images behind them that are of a specific time. The times we live in today - I mean, there's a lot to work with. But I think that if I was my age in 1975 or 1985, I would have felt the same way because that's what I gravitate toward.
I decided that I would do my best in the future not to write books just for money. If you didn't get the money then you didn't have anything. If I did the work I was proud of and I didn't get the money, at least I'd have the work.
I love Chicago. It's such a great town, and it's got great culture and great history, and it's not as extreme as LA or New York, and it's just- it's hard for me for work, because I don't live and work in the same place and that's tough. But I'm- I love it.
I cannot always write at the same time, in the same place. I work, travel and have a vigorous family life. If I'm stranded in an airport lobby - I write. If I have to wait in a doctor's office - I write. If I have a morning or evening to myself - I write.
I think the reality is that it's never been a better time to be an entrepreneur, it's never been a better time to work at a startup. You work at a really intellectually free environment, you get to work with people who are like-minded, it's very energetic. It's wonderful.
it's immoral to work to make money. There's something unlucky in it. You got to work for the work. You got to work on a farm, for the farm - then it makes money.
I wanted to try to make songs that worked as songs, not just as productions. People wanted me to do a solo acoustic session, they were like "Can you play song on the piano?" and I was like "Not really. It doesn't really work." I wanted to write songs that would work in a variation of instrumentation.
I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish.
I have tried to write songs quickly that get scrapped. I've also taken a long time on songs that get scrapped because you can over-think something, and you've squeezed the life out of it. As opposed to work of art, it looks like a really great work of craftsmanship.
I've spent a lot of time in tiny venues in the way that I got my record deal and got my name out there just performing live. I was literally performing my songs in all kinds of different ways with different guitarists, and I didn't have an album up online or anything. It's been a lot of work; it definitely hasn't been a sudden explosion into fame.
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