A Quote by Wallace Shawn

I led the life of an intellectual up until a certain age. I remember Freud's 'Interpretation of Dreams' was a big favorite when I was 11. It sounded so interesting. And it really was!
Freud published The Interpretation of Dreams in 1900. It introduced the notion that there existed certain predictable and identifiable processes by which dreams were formed.
During the years 1945-1965 (I am referring to Europe), there was a certain way of thinking correctly, a certain style of politicaldiscourse, a certain ethics of the intellectual. One had to be on familiar terms with Marx, not let one's dreams stray too far from Freud.... These were therequirements that made the strange occupation of writing and speaking a measure of truth about oneself and one's time acceptable.
I got really good input up until the age of 11, which is perfect. That's when adolescence starts, when I would have really wanted to rebel. Up until that point, though, it didn't feel like doctrine, and it gave me a great moral structure.
I don't think drums had ever sounded so big until Led Zeppelin's first album.
The one text that most changed my opinion on criticism was probably Freud's 'Interpretation of Dreams,' which I read in college.
I really didn't get obsessed with Bowie until my freshman year in high school. I remember listening to 'Starman' and thinking it sounded like it was a song for kids, like a lullaby. The Thin White Duke is my favorite look that he created.
Life is an interpretation of a series of facts, and that interpretation is really what life is about. So the division between non-fiction and fiction has a certain logic, but it's a very limited one. And by and large, it isn't helpful.
I joined Bayern at the age of 11, and from then on it was all about being up to the competition. It doesn't matter who you face, you are always the favorite. You learn this at a young age. And this continues throughout your career at Bayern Munich, you are always the favorite or one of the favorites in every competition you are involved in.
My favorite book in life is 'A Wrinkle In Time,' which I read before high school. It was my first introduction into the meeting of science and spirit and the universe and big thoughts and all of those interesting New Age-y concepts. It made everything make sense to me and opened up my mind.
It's refreshing, honestly, to be able to have more intellectual conversations about sex and the meaning of sex, and intimacy and what that means in relationships. As a person in the world, it's on your mind. It's a part of your life, after a certain age until you're dead. So, to be able to examine it in a different way is really fulfilling.
I came to Freud for facts. I read 'The Interpretation of Dreams' and I thought- 'Oh, here is a man who is not just theorizing away, here is a man who has got facts.
Freud "interpreted" dreams by treating them as intellectual riddles whose details, once processed through free association, exposed hidden wishes.
As a kid I would always be in my bedroom constantly staring at the same four pink walls in it, aspiring to do all of these things. I had big dreams, and my dreams were bigger than what my life was at the time. I didn't understand why my life wasn't more interesting, but I was so oblivious to life outside of my bedroom because I was always there. I had to go about living my dreams.
I still really love the world and the universe and the mythology of 'Halo.' If I was given control, I would really like to do that film. But that's the problem. When something pre-exists, there's this idea of my own interpretation versus 150 other people involved with the film's interpretation of the same intellectual property.
I think it was Freud who said that we're all arrested at a certain age. For me, it was always 13.
First, I started to play the organ. I did that until I was 11. From the age of 11 to 13, I gave up music entirely. And then at 13, I picked up the guitar, and after one and a half years, I started practicing intensively. I began playing in rock bands, and it was there that I discovered that the music I liked to write was always instrumental.
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