A Quote by Wallace Stegner

Any life will provide the material for writing, if it is attended to. — © Wallace Stegner
Any life will provide the material for writing, if it is attended to.
I have the feeling it will influence my future writing to the extent that without any material worries I could develop a greater ease, even lightheartedness, in my writing.
I have the feeling it will influence my future writing to the extent that without any material worries I could develop a greater ease, even lightheartedness, in my writing
I never attended a creative writing class in my life. I have a horror of them; most writers groups moonlight as support groups for the kind of people who think that writing is therapeutic. Writing is the exact opposite of therapy.
There should be painless progression, attended by life and peace....Mortals will some day assert their freedom in the name of Almighty God....Dropping their present beliefs, they will recognize harmony and as the spiritual reality and discord as the material unreality. Chapter VII pp. 224 and 228 Science and Health with Key to the Scriptures
Something like going to get the newspaper can increase your writing efficiency by taking you away from the material. When I'm doing other things, writing stuff will be swirling around in my head, and sometimes I'll see a new way into the material.
I have faith that God will care for me, and God does provide my needs. I don't in any way feel insecure because I don't know where I will sleep at night, where or when I will eat next. When you have spiritual security, you have no more feeling of need for material security.
I never attended a creative writing class in my life. I have a horror of them.
Young women you will be the ones who will provide the example of virtuous womanhood and motherhood. You will continue to be virtuous lovely praiseworthy and of good report. You will also be the ones to provide an example of family life in a time when families are under attack, being redefined and disintegrating. You will understand your roles and your responsibilities and thus will see no need to lobby for rights.
The writing of a novel is taking life as it already exists, not to report it but to make an object, toward the end that the finished work might contain this life inside it and offer it to the reader. The essence will not be, of course, the same thing as the raw material; it is not even of the same family of things. The novel is something that never was before and will not be again.
Even today, I am easily distracted by reading material and will pick up articles on virtually any factual material if I have the time.
I started out being a stand up and writing my own material. That took me to Talk Soup, where I was writing and performing for TV. So everything is all the same job in my eyes, and I don't want to ever give up any part of it. I will say that stand-up is my first love; it's how I got started and is in my bones.
I feel there has to be a certain amount of improvisation as I'm writing, which means any idea or any commitment to a project is risky. It involves time; it involves gathering of material, and sometimes it just doesn't work. Sometimes it does. As I'm starting out on a project, I can't tell if it will click or not.
I swear, you are the only person I know who makes decisions based on what will provide the best material for a diary.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
Why should there be hunger and deprivation in any land, in any city, at any table, when man has the resources and the scientific know-how to provide all mankind with the basic necessities of life? There is no deficit in human resources. The deficit is in human will.
The best adaptations are the ones that really excavate the material. The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing and put it into a story.
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