A Quote by Wallace Stevens
Death is the mother of beauty. Only the perishable can be beautiful, which is why we are unmoved by artificial flowers.
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Natural beauty is essentially temporary and sad, hence the impression of obscene mockery which artificial flowers give us.
We live in a time when people are afraid of beauty, because beauty passes; you can't hang on to it. And even if you see something or someone beautiful, the next time you hear it, it sounds different. So you can't cling to beauty; beauty passes and when that passes, you realize you pass too, and you will die. And that's why people cry at a beautiful view, a beautiful lecture, a beautiful painting, a new baby.
Give me artificial flowers - porcelain and metal glories - neither fading nor decaying, forms unaging. Flowers of the splendid gardens of another place, where Forms and Styles and Knowledge dwell. I love flowers made of glass or gold, true Art's true gifts, their painted hues more beautiful than nature's, worked in nacre and enamel, with perfect leaves and branches.
It is not expensive to be beautiful. It takes only a little effort to be presentable and beautiful. But it takes some effort. And unfortunately people think of beauty as luxury, beauty as frivolity, ... or extravagance. Beauty is a discipline, beauty is art, is harmony, in the ideological sense and in the theological sense, beauty is God and love made real. And the ultimate reach in this world is beauty.
Why fear death? Death is only a beautiful adventure.
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or intellectual beauty. Moral beauty has a tendency to decay very rapidly into sententiousness or untimeliness.
The future is always fairyland to the young. Life is like a beautiful and winding lane, on either side bright flowers, and beautiful butterflies and tempting fruits, which we scarcely pause to admire and to taste, so eager are we to hasten to an opening which we imagine will be more beautiful still. But by degrees, as we advance, the trees grow bleak; the flowers and butterflies fail, the fruits disappear, and we find we have arrived--to reach a desert waste.
Freedom is the only style. That is why I never speak about beauty or beautiful products but "good products"... Nowadays, we have to face so many challenges,...so it is not really a priority to care for beauty. The only way for us is to focus on an ethic and ecological behaviour.
I don't know that I'm beautiful or glamorous. I'm a pretty artificial looking person. I sure am flattered when people think I'm beautiful, but I think I'm leaning towards more cartoonish than beautiful. But I'm comfortable with who I am. And since I wasn't born as a natural beauty, I just make the most of what I've got.
Artificial intelligence has the same relation to intelligence as artificial flowers have to flowers.
Brave old-flowers! Wall-flowers, Gilly flowers, Stocks! For even as the field-flowers, from which a trifle, a ray of beauty, a drop of perfume, divides them, they have charming names, the softest in the language; and each of them, like tiny, art-less ex-votos, or like medals bestowed by the gratitude of men, proudly bears three or four.
My mother carried me for 10 months. I asked her 'Mother, you had an extra month, why you didn't make me a beautiful face?' and mother told me, 'My son, I was busy making your beautiful hands and heart.'
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable.
I don't accept flowers. I take nothing perishable.
My mother was the most beautiful woman I have ever seen. There are moments when I remember her beauty, unadorned, unposed, not in some artificial place like a set or a photo call but rather captured outdoors in nature, where she took my breath away. When those moments surface, I miss her the most.
Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.
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