A Quote by Wallace Stevens

The imagination loses vitality as it ceases to adhere to what is real. — © Wallace Stevens
The imagination loses vitality as it ceases to adhere to what is real.
The imagination loses vitality as it ceases to adhere to what is real. When it adheres to the unreal and intensifies what is unreal, while its first effect may be extraordinary, that effect is the maximum effect that it will ever have.
He who loses wealth loses much; he who loses a friend loses more; but he that loses his courage loses all.
There's no possibility for vitality in the church without fidelity to the gospels. If you look at the Churches throughout the world, throughout the Western world, where radical reform has been attempted, the Church has collapsed and almost disappeared. The vitality in the Church, the young people who are here in their tens of thousands, hundreds of thousands possibly, young people who belong, who adhere strongly to the central tradition of Christ and the Church.
We could try and establish a world in which the great and the powerful adhere to that international law which they require ordinary mortals to adhere to. In other words, there is one international law, and even America and even Russia and China and Japan must adhere to it, and Australia must adhere to it.
Every child is born blessed with a vivid imagination. But just as a muscle grows flabby with disuse, so the bright imagination of a child pales in later years if he ceases to exercise it.
What is freedom of expression? Without the freedom to offend, it ceases to exist. Without the freedom to challenge, even to satirize all orthodoxies, it ceases to exist. Language and the imagination cannot be imprisoned, or art will die, and with it, a little of what makes us human.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
A fact which is not denied but whose truths are rationalized loses its objective base. It ceases to be concrete and becomes a myth created in defense of the class of the perceiver.
Extremely large greens breed slovenly play. When any green ceases to command respect, it loses its value as a test of that rarest of all strokes, the shot home.
Imagination is as vital to any advance in science as learning and precision are essential for starting points. Let me warn you to beware of two opposite errors: of letting your imagination soar unballasted by facts, but on the other hand, of shackling it so solidly that it loses all incentive to rise.
Imagination is usually regarded as a synonym for the unreal. Yet is true imagination healthful and real, no more likely to mislead than the coarse senses. Indeed, the power of imagination makes us infinite.
As soon as man enters into a state of society he loses the sense of his weakness; equality ceases, and then commences the state of war.
There is almost no limit to the possibilities of the imagination, but to get the full power of it, one must trust one's imagination. If you say to yourself constantly, as the mother says to the child, 'But this is only play; this is not real,' you never can make real the things you have created in thought.
To handle yourself, use your head; to handle others, use your heart. Anger is only one letter short of danger. If someone betrays you once, it is his fault; if he betrays you twice, it is your fault. Great minds discuss ideas; average minds discuss events; small minds discuss people. He who loses money, loses much; he who loses a friend, loses much more; he who loses faith, loses all.
That was always what I felt was the beauty of Rock 'n' Roll, it was entertainment and showbiz yet it had the idea of the voice of the people, it had an essence to it which was socially motivated. Not that I want to change to world, you know? But it was sort of relevant to real life, it involved the real essence of poetry or the real essence of fine art. But it was also entertainment. That was the real vitality.
The opposite of depression is not happiness, but vitality, and it was vitality that seemed to seep out of me.
This site uses cookies to ensure you get the best experience. More info...
Got it!