A Quote by Wallace Stevens
Poetry has to be something more than a conception of the mind. It has to be a revelation of nature. Conceptions are artificial. Perceptions are essential.
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Conceptions are artificial. Perceptions are essential.
The more serious poetry of the race has a philosophical structure of thought. It contains beliefs and conceptions in regard to the nature of man and the universe, God and the soul, fate and providence, suffering, evil and destiny. Great poetry always has, like the higher religion, a metaphysical content. It deals with the same august issues, experiences and conceptions as metaphysics or first philosophy.
By eloquence I understand those appeals to our moral perceptions that produce emotion as soon as they are uttered. This is the very enthusiasm that is the parent of poetry. Let the same man go to his closet and clothe in numbers conceptions full of the same fire and spirit, and they will be poetry.
Women are about the best lovers of nature, after all; at least of nature in her milder and more familiar forms. The feminine character, the feminine perceptions, intuitions, delicacy, sympathy, quickness, are more responsive to natural forms and influences than is the masculine mind.
Yoga is the settling of the mind into silence. When the mind has settled, we are established in our essential nature, which is unbounded Consciousness. Our essential nature is usually overshadowed by the activity of the mind.
The distinction between mind and body is an artificial dichotomy, a discrimination which is unquestionably based far more on the peculiarity of intellectual understanding than on the nature of things.
Experience shows that Being is the essential, basic nature of the mind; but, since It commonly remains in tune with the senses projecting outwards toward the manifested realms of creation, the mind misses or fails to appreciate its own essential nature, just as the eyes are unable to see themselves.
My own suspicion is that a stand-alone artificial mind will be more a tool of narrow utility than something especially apocalyptic.
The shape that poems make in the mind is an echo of something powerful in the cosmos. I do believe that, and that is certainly irrational, so perhaps I am no wiser than Elizabeth Perkins as to the nature of poetry.
Can and must! The proclamation of this new conception of [Joseph Stalin] is closed by the same words, "Such are in general the characteristic features of Lenin's conception of the proletarian revolution." In the course of a single year Stalin ascribed to [Vladimir] Lenin two directly opposed conceptions of the fundamental question of socialism. The first version represents the real tradition of the party; the second took shape in Stalin's mind only after the death of Lenin, in the course of the struggle against "Trotskyism".
We properly judge a critic's virtue not by his freedom from error but by the nature of the mistakes he does make, for he makes them, if he is worth reading, because he has in mind something besides his perceptions about art in itself - he has in mind the demands that he makes upon life.
. . . when the nature of mind is introduced by a master, it is just too simple for us to believe. Our ordinary mind tells us this cannot be, there must be something more to it than this. It must surely be more "glorious", with light blazing in space around us, angels with flowing golden hair swooping down to meet us, and a deep Wizard of Oz voice announcing, "Now you have been introduced to the nature of your mind." There is no such drama.
In reviewing the most mysterious doctrines of revelation, the ultimate appeal is to reason, not to determine whether she could have discovered these truths; not to declare whether, considered in themselves, they appear probable; but to decide whether it is not more reasonable to believe what God speaks than to confide in our own crude and feeble conceptions. No doctrine can be a proper object of our faith, which is not more reasonable to believe than to reject.
How wonderful it is that we believe in modern revelation. I cannot get over the feeling that if revelation were needed anciently, when life was simple, that revelation is also needed today, when life is complex. There never was a time in the history of the earth when men needed revelation more than they need it now.
In all this process of acquiring conceptions, a certain instinctive order is followed. There is a native tendency to assimilate certain kinds of conception at one age, and other kinds of conception at a later age.
It is the province of poetry to be more realistic and present than the artificial narratives of an outer discourse, and not afraid of the truthful difficulty of the average human life.
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