A Quote by Wallace Stevens
The wind,
Tempestuous clarion, with heavy cry,
Came bluntly thundering, more terrible
Than the revenge of music on bassoons.
Related Quotes
When the wind carries a cry which is meaningful to human ears, it is simpler to believe the wind shares with us some part of the emotion of Being than that the mysteries of a hurricane's rising murmur reduce to no more than the random collision of insensate molecules.
I do love to cry. I'll cry at the drop of a hat. I'll cry at your basic television programme, let alone a weepie. But not big, heavy, serious crying. I haven't done that for a while, which is a relief. More like a little welling up of joy.
Men who have a tempestuous inner life and do not seek to give vent to it by talking or writing are simply men who have no tempestuous inner life. Give company to a lonely man and he will talk more than anyone.
I just like heavy music in general - from heavy rock and heavy metal and heavy rap and heavy everything. I've always been attracted to it.
Instead of a Dark Lord, you would have a queen, not dark but beautiful and terrible as the dawn! Tempestuous as the sea, and stronger than the foundations of the earth! All shall love me and despair!
The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn.
Usually when I'm mad, I'd rather listen to angry music than soothing music - more heavy metal, some Metallica or something.
My love is like the wind and wild is the wind. Give me more than one caress, satisfy my hungriness. Let the wind blow through your heart for wild is the wind.
A small revenge is more human than no revenge at all.
There is much modern music that is better adapted to a wind combination than to a string, although for obvious reasons originally scored for an orchestra. If in such cases the interpretation is equal to the composition the balance of a wind combination is more satisfying.
There is a terrible conservatism, like a cancer, right in the heartlands of music-making, a tremendous resistance to change, an absolute horror of the idea that more people might connect with music. That infuriates me more than I can say.
We came in the wind of the carnival. A wind of change, or promises. The merry wind, the magical wind, making March hares of everyone, tumbling blossoms and coat-tails and hats; rushing towards summer in a frenzy of exuberance.
Simply coming to the perpetrator and delivering the message is Nozick's definition of revenge. And in that sense, Adi is exacting revenge. When people ask, "Does Adi want revenge?" - they mean violent revenge. But in Nozick's formulation, it is revenge. That is the essence of revenge.
The world is a great ocean, upon which we encounter more tempestuous storms than calms.
The people have no ear, either for rhythm or music, and their unnatural passion for pianoforte playing and singing is thus all the more repulsive. There is nothing on earth more terrible than English music, except English painting.
The last thing I do is go and listen to heavy rock music. But I love electronic music. The purity of the tones is inspiring, because it's obviously much more controlled than a guitar tone.
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