A Quote by Wallace Stevens

Ethics are no more a part of poetry than theyare of painting. — © Wallace Stevens
Ethics are no more a part of poetry than theyare of painting.
The true essence of Chinese culture is sophistication, refinement, the spirit of poetry. The spirit of ink painting and calligraphy lives on forever. Calligraphy is more important than painting. Chinese always consider nature. Man is a very small part of nature. That's why in Chinese painting you see huge mountains and man very small, very humble before nature. You must be harmonious and one with nature. You don't fight it. And then there's a bit of a poetry. Of course, it's very complicated, but also very simple.
Photography is painting with light! The blurs, the spots, those are errors! But the errors are part of it, they give it poetry and turn it into painting. And for that you need as bad a camera as possible! If you want to be famous, you have to do whatever you're doing worse than anyone else in the whole world.
Poetry, with all its obscurity, has a more general as well as a more powerful dominion over the passions than the art of painting.
Poetry is superior to painting in the presentation of words, and painting is superior to poetry in the presentation of facts. For this reason I judge painting to be superior to poetry.
Painting gives the object itself; poetry what it implies. Painting embodies what a thing contains in itself; poetry suggests what exists out of it, in any manner connected with it.
Painting was called silent poetry and poetry speaking painting.
On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
If you call painting dumb poetry, the painter may call poetry blind painting.
Chemistry has the same quickening and suggestive influence upon the algebraist as a visit to the Royal Academy, or the old masters may be supposed to have on a Browning or a Tennyson. Indeed it seems to me that an exact homology exists between painting and poetry on the one hand and modem chemistry and modem algebra on the other. In poetry and algebra we have the pure idea elaborated and expressed through the vehicle of language, in painting and chemistry the idea enveloped in matter, depending in part on manual processes and the resources of art for its due manifestation.
Painting is silent poetry, and poetry is painting that speaks.
It’s never going to be very mainstream. One reason is that poetry requires concentration, both on the part of the writer and the reader. But it’s kind of unkillable, poetry. It’s our most ancient artform and I think it’s more relevant today than ever, because it’s one person saying what they really believe.
Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.
The subject of Finnish poetry ought to have a special interest for the Japanese student, if only for the reason that Finnish poetry comes more closely in many respects to Japanese poetry than any other form of Western poetry.
I was influenced by surrealist poetry and painting as were thousands of other people, and it seems to me to have become a part of the way I write, but it's not.
All pantheism must ultimately be shipwrecked on the inescapable demands of ethics, and then on the evil and suffering of the world. If the world is a theophany , then everything done by man, and even by animal, is equally divine and excellent; nothing can be more censurable and nothing more praiseworthy than anything else; hence there is no ethics.
[M]editation is not just being silent—that is only one part of it.... [I]t has to be creative. And when a poetry comes out of your inner silences, or a painting, it has a flavor which is not of this world.
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