A Quote by Wallace Thurman
Being a Negro writer these days is a racket and I'm going to make the most of it while it lasts. About twice a year I sell a story. It is acclaimed. I am a genius in the making. Thank God for this Negro literary renaissance. Long may it flourish
Related Quotes
Negro writers, just by being black, have been on the blacklist all our lives. Do you know that there are libraries in our country that will not stock a book by a Negro writer, not even as a gift? There are towns where Negro newspapers and magazines cannot be sold except surreptitiously. There are American magazines that have never published anything by Negroes. There are film studios that have never hired a Negro writer. Censorship for us begins at the color line.
I maintain that I have been a Negro three times--a Negro baby, a Negro girl and a Negro woman. Still, if you have received no clear cut impression of what the Negro in America is like, then you are in the same place with me. There is no The Negro here. Our lives are so diversified, internal attitudes so varied, appearances and capabilities so different, that there is no possible classification so catholic that it will cover us all, except My people! My people!
The Younger Generation comes, bringing its gifts. They are the first fruits of the Negro Renaissance. Youth speaks, and the voice of the New Negro is heard.
For the Afro-American in the 1920's being a 'New Negro' was being 'Modern'. And being an 'New Negro' meant, largely, not being an 'Old Negro', disassociating oneself from the symbols and legacy of slavery - being urbane, assertive militant.
My own convictions as to negro slavery are strong. It has its evils and abuses...We recognize the negro as God and God's Book and God's Laws, in nature, tell us to recognize him - our inferior, fitted expressly for servitude...You cannot transform the negro into anything one-tenth as useful or as good as what slavery enables them to be.
The jazz band's chief stimulus, of course, was the rise of the negro 'blues' and their exploitation by the negro song-writer, W. C. Handy.
It was argued that the Negro was inferior by nature because of Noah's curse upon the children of Ham.... The greatest blasphemy of the whole ugly process was that the white man ended up making God his partner in the exploitation of the Negro.
There is great fear expressed on all sides lest this war shall be made a war for the negro. I am willing that it shall be. It is awar to found an empire on the negro in slavery, and shame on us if we do not make it a war to establish the negro in freedom--against whom the whole nation, North and South, East and West, in one mighty conspiracy, has combined from the beginning.
Slavery in America was perpetuated not merely by human badness but also by human blindness. ... Men convinced themselves that a system that was so economically profitable must be morally justifiable. ... Science was commandeered to prove the biological inferiority of the Negro. Even philosophical logic was manipulated [exemplified by] an Aristotlian syllogism:
All men are made in the image of God;
God, as everyone knows, is not a Negro;
Therefore, the Negro is not a man.
We should emphasize not Negro History, but the Negro in history. What we need is not a history of selected races or nations, but the history of the world, void of national bias, race, hate, and religious prejudice. There should be no indulgence in undue eulogy of the Negro. The case of the Negro is well taken care of when it is shown how he has far influenced the development of civilization.
You may baptize as long as you want, but the Jew remains a Jew, the Chinese a Chinese and the Negro a Negro.
Carmen Jones was the first all-Negro film that became a great box-office success. It established the fact that pictures with Negro artists, pictures dealing with the folklore of Negro life, were commercially feasible. This was a sign of growth that had occurred in the United States and throughout the world.
I have a theory. An audience doesn't need to get wrapped up in blackness every time they see a Negro actor. And a movie doesn't have to be about race just because there's a Negro in it.
If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars.
How ironic that the Negro, who more than any other people can claim America's culture as his own, is being persecuted and repressed; that the Negro, who has exemplified the humanities in his very existence, is being rewarded with inhumanity.
I'm inclined to believe that most Negro leaders, professional Negroes are professional Negroes. Being a Negro is their professional, and being a profe - a leader is their profession. And usually they say exactly what the white man wants - wants to hear them say.
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