A Quote by Walt Disney

Disneyland is like a piece of clay: If there is something I don't like, I'm not stuck with it. I can reshape and revamp. — © Walt Disney
Disneyland is like a piece of clay: If there is something I don't like, I'm not stuck with it. I can reshape and revamp.
This clay, so strong of heart, of sense so fine,Surely such clay is more than half divine--'Tis only fools speak evil of the clay,The very stars are made of clay like mine.
I like to make my voice sound like a piece of tin that's been stuck on the side of a chair, lifted up as far as it would go and then let to spring - "doooiiinng." I like to make it into a piece of metal from time to time and I can do it, both with the movements in my throat and with, uh, my little toys... So I like to take it beyond just a voice, more into the realms of a weapon.
When she saw my messy desk, she said she was the same way, and there was no dust on the TV, and I was easy to love. People just need a little help because they are so used to not loving. It's like scoring the clay to make another piece of clay stick to it.
Disneyland is like Alice stepping through the Looking Glass; to step through the portals of Disneyland will be like entering another world.
I've been to Disneyland, like, 10 times. I'm getting really tired of Disneyland.
There are no happier people on this planet than those who decide that they want something, define what they want, get hold of the feeling of it even before its manifestation and then joyously watch the unfolding as, piece by piece by piece, it begins to unfold. That's the feeling of your hands in the clay.
There are films like 'Interstellar' where you cannot replicate the experience of seeing it in IMAX - it's an amazing film presented in a spectacular way. It really is an experience, like going to Disneyland, and you can't replicate that by watching home videos of going to Disneyland.
An actor is like a piece of clay: you just keep moulding me. Even people who work with you every day want to put you in a little box.
I love the flesh. I'm a pagan. "Who are they who speak evil of the clay? The very stars are made of clay like mine!"
[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.
I don't feel like it's pressure. It's more of an obligation - not to entertain or be funny, but to have a certain levity. I mean, there's got to be a lightness in your leg. You have to be as light as you can be, and you don't have to be weighted down, stuck in your emotions and stuck in your body, stuck in your head. You just want to try and elevate something.
I have always wanted some way that you could make a surface in a computer, like you pick up a piece of clay and make sculpture.
I used anything, various materials; this is wood, and this is mixed up clay, wedged together, clay with glazes and stuff like that.
For as from the same piece of clay a potter may fashion either a pot or a tile, so the Devil may shape a witch into a wolf or a cat or even a goat, without subtracting from her and without adding to her at all. For this occurs just as clay is first molded into one, then shaped into another form, for the Devil is a potter and his witches are but clay.
Dont believe the hype. It tastes like someone scraped off the bottom of a birdcage and stuck it on a piece of toast.
A piece of writing is like a piece of magic. You create something out of nothing.
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