A Quote by Walt Disney

We like to have a point of view in our stories, not an obvious moral, but a worthwhile theme. ... All we are trying to do is give the public good entertainment. That is all they want.
A good piece of fiction, in my view, does not offer solutions. Good stories deal with our moral struggles, our uncertainties, our dreams, our blunders, our contradictions, our endless quest for understanding. Good stories do not resolve the mysteries of the human spirit but rather describe and expand up on those mysteries.
While a book has got to be worthwhile from the point of view of the reader it's got to be worthwhile from the point of view of the writer as well.
Money is not the only commodity that is fun to give. We can give time, we can give our expertise, we can give our love or simply give a smile. What does that cost? The point is, none of us can ever run out of something worthwhile to give.
Our reporters do not cover stories from their point of view. They are presenting them from nobodys point of view.
I'm just like a photographer or a director. Of course I have an opinion, but I don't think my opinion, or what I want to say... is so obvious 'cause that's not my job. My job is just to give a point of view, not more than that.
I always want to be a member in the audience, and I want to hear it from their point of view and see it from their point of view so I can know if it's good. But that's just my issues, not a real problem.
I am highly variable in my devotion. From a doctrinal point of view or a dogmatic point of view or a strictly Catholic adherent point of view, I'm first to say that I talk a good game, but I don't know how good I am about it in practice.
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.
The BAFTAs give the British point of view, and the Oscars give the American point of view, but the truth is we're all working in an international industry.
I think there's so many points of view that you want to make sure your stories are being told from men and women... you get all of the different backgrounds. You don't want every story being told from the same point of view. So just for better storytelling, I'm like, 'Yes, please, bring some more ladies on.'
Our stories are what we have,” Our Good Mother says. “Our stories preserve us. we give them to one another. Our stories have value. Do you understand?
If you want the film [La La Land ] to represent all things jazz, it does not. You'll be disappointed by that. But, if you just see it as one guy's point of view, one filmmaker's point of view, and one story among many stories that can be told about jazz, then it's not as much of an issue.
I believe the role that people like myself have played in the transformation of public opinion has been by persistently presenting a different point of view, a point of view which stresses the importance of private markets, of individual freedom, and the distorting effect of governmental policy.
I think everybody comes to the table with a different point of view and a different need...A lot of Beverly Lewis' material revolves around secrets and bringing those secrets to light. So, you know, there's always that theme, that...we're as sick as our secrets and once they're revealed we can be set free from them. So, that's definitely a theme that resonates.
[On how she goes about trying to live authentically] Well really listening to my point of view and if I am on a set, say, that doesn't really value a woman's point of view, regardless of how they feel, continuing to give my point of view and try to find a way to be heard and not diminishing myself because other people are diminishing me. Because that, I think, is the worst temptation that, you know, you judge yourself by how others are judging you, and to fall into that trap is to walk into the realm of self-annihilation.
The first week I was in Iraq, I said, "This is what I want to do. I want to be a reporter and to tell stories of people whose stories would not be told if we don't gather them." It's part of what I think of as the one-two punch of journalism. You're trying to give voice to the voiceless, and then you're also trying to hold those in power accountable, regardless of what party they're in.
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