A Quote by Walt Dohrn
I've always loved that film ['The Three Caballeros'], and we were looking for a way to apply it to our own work, and 'Trolls' was it - psychedelic, musical and kinetic insanity.
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I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
Our culture is being shaped by trolls and the Holocaust deniers are a very extreme example of the trolls. Ignoring them has not worked. It doesn't mean that confronting them will work completely but I think it's a debate we have to have.
My embarrassing confession is that my father is a 'Camelot: The Musical' obsessive. So as a child, when we were going to visit relatives on the weekend, whenever we were driving back on these three-hour drives, he would be playing the musical soundtrack on repeat, on the cassette in our car, to the extent that we begged him never to play it again.
I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.
I've always loved reading and always loved the movies. Storytelling is one of the oldest of human endeavors, and they give us our understanding of the world and our place in it. When I discovered that there were people who professionally were involved in the creation of stories, it was game over - I knew what I wanted to do it.
With Steven Meisel, I'd looked at his work from afar and always loved it, and when I started to work with him, I was blown away. He taught me so much about looking at women and looking at images.
The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.
I've always loved fairy tales and magic - especially twisting them on their ears and poor trolls have always had such a bad rep.
If I were to do a musical, I think I would rather make a film musical.
Looking back, I think I was always musical. My dad was very musical, and I think my mom was musical.
I loved being a film executive. But something was always missing for me. I always had the feeling that I was looking over my shoulder - what's going on on Broadway?
Back in East Texas, all three networks have stations in my hometown of Tyler, and for a town that small, 85,000, to have all three networks, they all have their own news programs, six and 10, and they're always looking for news. Back when I was a judge, they were constantly coming to the courthouse and asking for comments.
I'm always looking at film, studying myself, comparing and contrasting with film of the great linebackers to see what I need to work on.
My parents were both very frugal, and I think they're responsible for my attitude of always looking for good value, especially in my work. In a way, sports betting is like a big game of 'The Price Is Right:' just like I'd pay $3 for a Coke Zero but not $4, I'd lay three points on the Bears-Packers point spread but not four.
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