A Quote by Walt Whitman
O magnet-South! O glistening perfumed South! My South! O quick mettle, rich blood, impulse and love! Good and evil! O all dear to me!
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I have dear friends in South Carolina, folks who made my life there wonderful and meaningful. Two of my children were born there. South Carolina's governor awarded me the highest award for the arts in the state. I was inducted into the South Carolina Academy of Authors. I have lived and worked among the folks in Sumter, South Carolina, for so many years. South Carolina has been home, and to be honest, it was easier for me to define myself as a South Carolinian than even as an American.
If you're black, you were born in jail, in the North as well as the South. Stop talking about the South. Long as you south of the Canadian border, you're south.
Slowly, very slowly, like two unhurried compass needles, the feet turned towards the right; north, north-east, east, south-east, south, south-south-west; then paused, and after a few seconds, turned as unhurriedly back towards the left. South-south-west, south, south-east, east.
I'm very loyal to my south fans and the industry there. So, it's hard for me leave all the love, respect, and admiration and shift base here. I'm a Mumbai girl and have lived here for most of my life. At the same time, I've spent 10 years of my life in the South and feel like a south Indian at heart.
Where I grew up in Tulsa, Oklahoma, it wasn't the south-east and it wasn't the deep south and it wasn't quite the south-west either.
In the South China Sea and underneath the South China Sea, of course, there's a lot of raw materials. There are very rich fishing grounds there, so there are some economic concerns in the South China Sea as well.
I feel like I'm a New Yorker to the bone. But there is a lot of the South in me. I know there is a lot of the South in my mannerisms. There's a lot of the South in my expectations of other people and how people treat each other. There's a lot of the South in the way I speak, but it could never be home.
The south really wants Abyei; they have a core constituency who reside in the area who believe that Abyei belongs to the south. There are a number of those sons of Abyei in high positions of government in South Sudan, so it's pretty hard for South Sudan to just walk away.
My maternal family are South African and when I was small and my parents separated my mother and I went back to South Africa. So for me the emergence of my own childhood consciousness was in the context of 1970s and 1980s apartheid South Africa and the movement there.
My music has a little hint of down south but I don't have a down south accent. I guess it's just the beat selection that puts me in a down south mind frame.
You've got the whole civil rights movements emanating from the south, you've got the music that came out of the south that is the core of our current music, so for me that thinking comes out of having Dukes of Hazzard thrown in your face: that the south is a bunch of twangy people that I can't understand. So this is, hopefully, part of the movement to restore the south to its proper and rightful place in our nation... which is huge and pervasive. It's not about Texas - I'm not saying Texas doesn't have it's own unique history - but the south has this at its core.
Fiordland, a vast tract of mountainous terrain that occupies the south-west corner of South Island, New Zealand, is one of the most astounding pieces of land anywhere on God's earth, and one's first impulse, standing on a cliff top surveying it all, is simply to burst into spontaneous applause.
Coming from the South and growing up in L.A. where it was so segregated - worse than the South in many ways - all the people in my neighborhood were from the South. So you had that Southern cultured environment. The church was very important. And there were these folk ways that were there. I was always fascinated by these Southern stories, people would share these mystified experiences of the South. I wanted to talk about folklore.
The toughest challenge I faced came right at the beginning of my career with 'Blood Knot,' which was trying to convince South African audiences that South African stories also had a place on the stage.
I'm from South Carolina, so I know what it's like to be accused of being a conservative from the South. And I know that to some people that means more than you're a conservative from the South.
There is a tendency just to talk about foreign investors. Over 80 per cent of new investment in the South African economy is South African and therefore the engagement of the South African investor is also a critical part of this process.
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