A Quote by Walt Whitman

You linger to see his back, and the back of his neck and shoulder-side...The Bending forward and backward of the rowers... — © Walt Whitman
You linger to see his back, and the back of his neck and shoulder-side...The Bending forward and backward of the rowers...
His eyes glow in the shadows as he slides the soft liquid semen dripping down my thigh in a path leading back into my swollen entry, as if he doesn't want to come out of my body. "Sticky?" he asks in a gruff murmur, bending his head and licking my shoulder as he pushes his semen back inside with one finger.
Your lower back contains numerous muscles. One group, called the erector spinae, attaches to your spinal column at different points along your back, allowing you to bend it forward and backward and from side to side. Toning these muscles helps prevent back pain, and it also tightens and firms your entire lower back.
Sean takes my ponytail in his hand, his fingers touching my neck, and then he tucks my hair into my collar out of the reach of the wind. He avoids my gaze. Then he links his arm back around me and pushes his calf into Corr's side.
I wanted him. I arched my back, fully aware of how vulnerable that made me and that I was giving him an invitation. He accepted it and laid me back against the table, bringing his body down on top of mine. That crushing kiss of his moved from my mouth to the nape of my neck. He pushed down the edge of my dress and the bra strap underneath, exposing my shoulder and giving his lips more skin to conquer.
Pressed up against him, I can feel the thud of his heart against mine, his ribcase expanding and contracting rapidly against my chest, the warm whisper of his breath tickling the side of my neck, the brush of his leg against my thigh. Resting my arms on his shoulders, I pull back a little to get a look at his face. But he isn't smiling any more.
Four sits down on the edge of the carousel, leaning against a plastic horse's foot. His eyes lift to the sky, where there are no stars, only a round moon peking through a thin layer of clouds. The muscles in his arms are relaxed; his hand rests on the back of his neck. He looks almost comfortable, holding that gun to his shoulder. I close my eyes briefly. Why does he distract me so easily? I need to focus.
I let my head fall forward into his shoulder, breathing in his scent. "Now what do we do?" He's quiet for a while and I finally lean back to look him in the eyes. He appears conflicted by something and then he sets me down on the ground, lacing his fingers through mine. "Should we see where the wind takes us?" he asks. I stare at my hand in his and then look up at him. "That sounds good to me.
He's at ease, his body sculpted to the music, his shoulder searching the other shoulder, his right toe knowing the left knee, the height, the depth, the form, the control, the twist of his wrist, the bend of his elbow, the tilt of his neck, notes digging into arteries, and he is in the air now, forcing the legs up beyond muscular memory, one last press of the thighs, an elongation of form, a loosening of human contour, he goes higher and is skyheld.
As the body rolled to the ground Tarzan of the Apes placed his foot upon the neck of his lifelong enemy and, raising his eyes to the full moon, threw back his fierce young head and voiced the wild and terrible cry of his people.
It wasn't just that Lucy wanted to help him. She wasn't as selfless as that. She was madly attracted to him. She was attracted to all of the normal things and the weird things, too, like the back of his neck and his thumbs on the edge of his desk and the way his hair stuck out on one side like a little wing over his ear. She caught his smell once, and it made her dizzy. She couldn't fall asleep that night.
Look not back. No, not even if you see the dearest and nearest cry. Look not back, but forward. We cannot stop. If we stop we die. We have either to go forward or to go backward. We have either to progress or to degenerate.
Branches grew from his hands, his hair. His thoughts tangled like roots in the ground. He strained upward. Pitch ran like tears down his back. His name formed his core; ring upon ring of silence built around it. His face rose high above the forests. Gripped to earth, bending to the wind's fury, he disappeared within himself, behind the hard, wind-scrolled shield of his experiences.
Leaning back against Cam's chest, I tipped my head back and I reached up, cupping his cheek. I drew his mouth to mine and kissed him softly. "Thank you." His lips curved up on one side. "For what?" "For waiting for me.
She went back to Shane and settles in on his lap again, arm around his neck. His circled her waist. "I thought you had to go," he said. "And don't think i didn't see you kissing on my best friend." "He deserved it." "Yeah. Maybe i ought to kiss him, too." Michael, on his way out, didn't bother to turn around for that one. "Oh sure, you always promise.
My nails dug into his back, and he trailed his lips down the edge of my chin, down the center of my neck. He kept going until he reached the bottom of the dress’s V-neck. I let out a small gasp, and he kissed all around the neckline, just enough to tease.
Every man has a weakness," he patiently explained. "I'll find theirs, I promise you." "Every man?" "Yes," he answered emphatically. His hand moved to the back of her neck. Twisting her curls around his fist, he jerked her head back. His face loomed over hers, his breath warm and sweet as he stared down into her eyes. "What is your weakness, Brodick?" she asked. "You.
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