A Quote by Walt Whitman
To speak in literature with the perfect rectitude and insouciance of the movements of animals and the unimpeachable of the sentiment of trees in the woods and grass by the roadside is the flawless triumph of art.
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Literature is a vast forest and the masterpieces are the lakes, the towering trees or strange trees, the lovely, eloquent flowers, the hidden caves, but a forest is also made up of ordinary trees, patches of grass, puddles, clinging vines, mushrooms, and little wildflowers.
If everything is perfect, language is useless. This is true for animals. If animals don't speak, it's because everything's perfect for them. If one day they start to speak, it will be because the world has lost a certain sort of perfection.
. . . every tree near our house had a name of its own and a special identity. This was the beginning of my love for natural things, for earth and sky, for roads and fields and woods, for trees and grass and flowers; a love which has been second only to my sense of enduring kinship with birds and animals, and all inarticulate creatures.
Many savage nations worship trees, and I really think my first feeling would be one of delight and interest rather than of surprise, if some day when I am alone in the woods one of the trees were to speak to me.
Few are altogether deaf to the preaching of pine trees. Their sermons on the mountains go to our hearts; and if people in general could be got into the woods, even for once, to hear the trees speak for themselves, all difficulties in the way of forest preservation would vanish.
I look at trees, hunt mushrooms, and watch animals. Fishing is what gets me out into the woods so I can notice these things.
Through PETA, we rescue animals in roadside zoos and circuses. They are some of the most abused animals in the country.
The atonement in Jesus Christ's blood is perfect; there isn't anything that can be added to it. It is spotless, impeccable, flawless. It is perfect as God is perfect.
The 20th century is a period defined by cultural and artistic movements. However, the 21st century creative-scape that we occupy now doesn't really have movements in the same way. Instead it's made up of diverse individuals working across various platforms simultaneously; art, architecture, film, music and literature.
We can speak of the triumph of capitalism in the world, but we cannot yet speak about the triumph of democracy. There is a serious mismatch between the political and the economic conditions that prevail in the world today.
Beaumont-Hamel sits within a thousand acres of French agriculture. The trenches are under this blanket of grass. In the 1920s, a park was established here and trees from Newfoundland imported to encircle the battlefield so you get the feeling of being within a copse of woods.
My instincts led me to meditate in the woods when I was a kid. I would emerge at sunset and announce to my family that we are all connected beings. I would watch the grass grow and dance with trees and realize that I was a necessary part of the inter-workings of the world.
I am the Lorax. I speak for the trees. I speak for the trees for the trees have no tongues.
There was a sharp crack from somewhere on the mountain. Then another. It's just a tree falling, he said. It's okay. The boy was looking at the dead roadside trees. It's okay, the man said. All the trees in the world are going to fall sooner or later. But not on us.
Mounting toward the upland again, I pause reverently, as the hush and stillness of twilight come upon the woods. It is the sweetest, ripest hour of the day. And as the hermit's evening hymn goes up from the deep solitude below me, I experience that serene exaltation of sentiment of which music, literature, and religion are but the faint types and symbols.
The real jewel of my disease-ridden woodlot is the prothonotary warbler. ... The flash of his gold-and-blue plumage amid the dank decay of the June woods is in itself proof that dead trees are transmuted into living animals, and vice versa.
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