A Quote by Walt Whitman
It is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess.
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Savages and modern artists are alike strangely driven to create something uglier than themselves. but the artists find it harder.
In every possible instance Saint Paul begged Christians to restrain themselves to contain their carnal yearnings to live solitary and sexless lives on earth as it is in heaven. "But if they cannot contain " Paul finally conceded then "let them marry for it is better to marry than to burn." Which is perhaps the most begrudging endorsement of matrimony in human history.
Nothing in the world is so soft and pleasing to the touch, as the skin of a woman's thigh. No flower, feather or fabric, can match that velvet whisper of flesh. No matter how unequal they may be in any other ways, all women, old and young, fat and thin, beautiful and ugly, have that perfection. It's a great part of the reason why men hunger to possess women, and so often convince themselves that they do possess them: the thigh, that touch.
All men who have ideals . . . live by some kind of faith, by committing themselves to some kind of loyalty which is not universally recognized as the common property of all thinking men. They must have something-something outside themselves, to make them feel life is worth living, that good rather than evil is the explanation of the world.
The greatest thing an actor can experience is discovery. The greatest thing an artist can walk away with is to learn something about themselves and the world and this was one of those.
Militias, when properly formed, are in fact the people themselves and include all men capable of bearing arms. [...] To preserve liberty it is essential that the whole body of the people always possess arms and be taught alike, especially when young, how to use them.
Herein lies the tragedy of the age: Not that men are poor, - all men know something of poverty. Not that men are wicked, - who is good? Not that men are ignorant, - what is truth? Nay, but that men know so little of men.
Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider, and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when, for want of connection, the world deepens and becomes art.
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
There is something abominable about cameras, because they possess the power to invent many worlds. As an artist who has been lost in this wilderness of mechanical reproduction for many years, I do not know which world to start with. I have seen fellow artists driven to the point of frenzy by photography.
This pre-eminence is something [men] have unjustly arrogated to themselves. And when it's said that women must be subject to men, the phrase should be understood in the same sense as when we say we are subject to natural disasters, diseases, and all the other accidents of this life: it's not a case of being subjected in the sense of obeying, but rather of suffering an imposition, not a case of serving them fearfully, but rather of tolerating them in a spirit of Christian charity, since they have been given to us by God as a spiritual trial.
If God does not exist, and if religion is an illusion that the majority of men cannot live without ... let men believe in the lies of religion since they cannot do without them, and let then a handful of sages, who know the truth and can live with it, keep it among themselves. Men are then divided into the wise and the foolish, the philosophers and the common men, and atheism becomes a guarded, esoteric doctrine - for if the illusions of religion were to be discredited, there is no telling with what madness men would be seized, with what uncontrollable anguish.
I guess with the generation we live in, we just want to be entertained at the end of the day. A lot of artists make themselves accessible, so they feel like every artist should be like that. Some artists shouldn't be so accessible, to me.
Whatever way you put it, I am here only because my world is here. When I took my first breath, my world was born with me. When I die, my world dies with me. In other words, I wasn't born into a world that was already here before me, nor do I live simply as one individual among millions of other individuals, nor do I leave everything behind to live on after me. People live thinking of themselves as members of a group or society. However, this isn't really true. Actually, I bring my own world into existence, live it out, and take it with me when I die.
Possess the spirit of independence. The Americans do, and why should not you? Possess the spirit of men, bold and enterprising, fearless and undaunted. Sue for your rights and privileges. Know the reason that you cannot attain them. Weary them with your importunities. You can but die, if you make the attempt; we shall certainly die if you do not. The Americans have practised nothing but head-work these 200 years, and we have done their drudgery. And is it not high time for us to imitate their examples, and practise head-work too, and keep what we have got, and get what we can?
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