A Quote by Walt Whitman
I dance with the dancers.
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We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.
Dancers are a great breed of people. And they really want to dance so you don't have to beg them to work. However, dancers sometimes build walls around themselves because they are presenting themselves all the time: dancing is very much a confession.
For an actor, one doesn't have to be a dancer. But because our Hindi movies have so many song and dance sequences, it is preferred if they are good dancers. It's always advantageous to know dance. But if you don't, it's okay.
I think when you're doing a musical, you have to be attuned to the director's vision. You're working with a variety of people, singers and dancers, so you have to create movement and dance that is for all abilities. You have to further the story through the dance.
As long as there are dancers around who love to dance, there will be an Alvin Ailey American Dance Company. We miss him so much, but he's alive as soon as you see a dancer hit the stage.
Nobody cares if you can't dance well. Just get up and dance. Great dancers are great because of their passion.
When World of Dance came around, what I really liked about it was it's from dancers for dancers. For me growing up as a dancer and becoming an actress, Jennifer Lopez really was this icon in that world to me.
You cannot dance physically certain things. But look at tango dancers or flamenco or Japanese classical theater. You can, if you're smart enough and you collaborate with the right choreographers, you could really dance your age.
I have all these opinions about the dancers but they should be kept to myself. No one consults me. I keep asking to be invited to the dance tryouts but no one ever allows me there. I'll just say this: My general philosophy is that you can teach them to dance.
It fell into my lap. I grew up doing dance classes. And one day, a film production company contacted my dance school looking for background dancers. I wasn't looking for it. It just happened. And I found myself on set. And that was that.
I see myself helping the next generation of dancers who come along, helping them to keep the dance focused, so we don't get into a position where they're saying in 2050, or whatever, that around 2001 or 2002 or something the dance died.
My body is very different from most of the dancers I dance with. My hair is different than most I dance with. But I didn't let that stop me. Black girls rock and can be ballerinas.
I very much like dance and dancers.
I like dancers. I have a thing for girls who dance.
I was always the kid down the street who got the other kids to put on a show. But it was only when I was 19, and discovered ballet and contemporary dance, that I got interested in the fact that you could have a whole evening of dance - rather than just waiting for the dancers in a musical.
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