A Quote by Walter Becker
I always look for the weirdest note to land on. I felt that that was the least I could do for the great musical traditions which I've spawned.
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We've spoken to a lot of friends who are stars who could be great, and they say to us, 'Look, if you were doing a movie musical, and we could pre-record and lip-synch, sure. But live? So if we hit a bad note it's there for posterity? We're not going to go out there without a safety net.' People are scared to death of that.
We are not born of the passions of war or of the fervours of revolution. And we grew quietly into the realization that, set as we are in a great wide land, with all our differences, there are certain traditions and ideals which we had in common, and which could best be preserved in a distinct society of our own.
The amazing thing about the cistern is that, if you're improvising in a dead room, you play your note and then you're left with your thoughts and you have to be really quick on your feet and be able to move through many different musical thoughts seamlessly. Improvising there is just, like, you play a note and then you had at least ten seconds to think, "What would be the perfect accompanying note to that?" And then you could add that note. You can just build this puzzle that was really amazing.
I've always felt a great affinity with music. I've felt myself to be more of a musician than anything else, though I'm not proficient in any one instrument. But I think I have a musical sense of things... and writing seems to me to be a musical experience - rhythmically and in many other ways.
I was a musical theatre kid, which meant you could always find me singing or dancing in the halls with at least four other people.
What's my weirdest adventure? Yikes, there've been so very many. Perhaps the pig+vegetable+Taiwanese-army-guys boat ride to the island off the coast of Taiwan qualifies as the weirdest. Or at least the most seasick.
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
I continue to work on plays, but I've always felt that you could put a note in a bottle and send it offshore, and you'd have as much chance communicating with people.
The great fact in life, the always possible escape from dullness, was the lake. The sun rose out of it, the day began there; it was like an open door that nobody could shut. The land and all its dreariness could never close in on you. You had only to look at the lake, and you knew you would soon be free.
There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story.
It's kind of a lost art form, the musical, in a way, so when 'La La Land' came around, I couldn't believe my luck. I just felt like I needed someone to keep on pinching me 'cause not only was it a chance to make a musical but to work with Damien Chazelle, Emma Stone, and Ryan Gosling.
The separation of church and state is extremely important to any of us who holds to the original traditions of our nation. . . . To change these traditions . . . would be harmful to our whole attitude of tolerance in the religious area. If we look at situations which have arisen in the past in Europe and other world areas, I think we will see the reason why it is wise to hold to our early traditions.
I have often felt as though I had inherited all the defiance and all the passions with which our ancestors defended their Temple and could gladly sacrifice my life for one great moment in history. And at the same time I always felt so helpless and incapable of expressing these ardent passions even by a word or a poem.
You could make your fingers reproduce exactly what you felt, if you really worked at it. I achieved it, not only spending a lot of time at the keyboard but finding ways I could make my fingers reproduce my deepest feelings. It meant, when you hit a note with a finger, you sank into that note all the way to the bottom of the keyboard until it went pow! Right?
Of all the questions which can come before this nation, short of the actual preservation of its existence in a great war, there is none which compares in importance with the great central task of leaving this land even a better land for our descendants than it is for us.
Look at Scottish guys wearing kilts - you could look at them and laugh, but the way they carry themselves, how can you? You can wear some of the weirdest things and be cool. If you believe in it, that's what makes it cool.
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