A Quote by Walter Becker

I don't think that the Grammys are in any way a just way of grading music. — © Walter Becker
I don't think that the Grammys are in any way a just way of grading music.
We don't compete with the Grammys. The Grammys compete with us. They have taken the stance that anybody who performs on 'The American Music Awards' cannot appear on 'The Grammys.' I don't agree with that philosophy.
Growing up, people are like, 'Mary, we'll see you at the Grammys.' You're like, 'I'll be at the Grammys.' Then, you're actually at the Grammys! That actually is happening; it's not just something people are saying because they like your music. It's real!
I think the music defends myself. I don't think anyone should put a race on any genre. It's just a way of expressing yourself through instruments and sounds, right? People can just listen to the music.
Language is in the way. Music's in the way. Songs are in the way. Stuff's in the way. That's just our state here. And to acknowledge that we're broken and to even ... create tradition that helps us embrace that, and to understand that, I think is a very healthy, good thing.
Revenge is good. I think revenge is healthy too, and if you can use music in that way, a sort of therapeutic way for yourself, it can't do any harm. So if King (For A Day... Fool For A Lifetime) is angry in any way, it's angry in a random, chaotic, healthy way. Like the guy who goes into a building, shoots a bunch of holes in the wall and then leaves. He didn't kill anybody.
I'm kind of iffy on the Latin Grammys because I think we fought so hard, for example, to get the American side of the Grammys to open categories for us... But I support the Latin Grammys in the sense I'm glad that we have them.
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
Jazz is not just music, it's a way of life, it's a way of being, a way of thinking. . . . the new inventive phrases we make up to describe things - all that to me is jazz just as much as the music we play.
I don't know if people come to the shows of the Raveonetteswith any certain expectations. I think that we have fans who know that we're not... hugely entertaining in any way. We don't put on a show, so to speak. We basically just play the music the way it's supposed to be heard - very loud, in a packed club, and in a good setting. People can stand still with their eyes closed, or they can dance. They can do whatever they want. We don't care.
Dance music has evolved very much. From DJs playing at the Olympics, to playing at the Super Bowl, working with Cirque Du Soleil and even getting recognized at the Grammys with awards, dance music is growing in a big way.
I don't dismiss the music that I was involved with, I don't think it was a joke, I don't think it was funny or a phase, I don't think it was just something I was doing back then, to me it was who I am. It connects all the way through. I don't distance myself from any of it.
Grammys, American Music Awards, successful albums, I'd pick my kids any day over any of it.
People do not respect music anymore... They go by what's hot... If you're hot, you deserve 4 or 5 Grammys... Madonna is a genius and she only has 2 or 3 Grammys... What is that about?
I don't think the music that I do is nostalgic in any way; I don't think about going back to nice, old-fashioned music. I'm certainly influenced by old music, but I want to bring it slap-bang up to today.
I don't think of myself as a grading barometer and I doubt if any climber could be one.
I think there's just been this "thing" that's developed, this way that we have of talking about our music that alienates people. And I fall into that too! I learned that in graduate school. You just talk about your music in a specific way, and that separates people from you. But some composers like that. Schoenberg liked that. He wanted to feel that he was making music for an elite few. That's fine for him, but I want to set myself free from that sort of attitude.
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