A Quote by Walter Becker

We've been allowed to operate unmolested on the fringes of the music scene, really. That's where we enjoy it most. — © Walter Becker
We've been allowed to operate unmolested on the fringes of the music scene, really. That's where we enjoy it most.
I'm really into everything. Something I've been asked throughout the years I've done the show is, "What kind of music are you into?" I find that to be a bizarre question, because it implies there are people out there that are only into one specific kind of music. But I think I, like most people, enjoy a wide variety of music.
But I just love that music scene so much, and I enjoy really being around those artists and watching them even more than I do performing, because they are a whole group of people that do it because they love music.
My favorite way of making films - and what has allowed me to get key scenes in 'Cartel Land' and 'City of Ghosts' - has been when I've been able to operate alone.
I think it's much harder to have a long dialogue scene than an action scene. An action scene is long, but it's not really hard. It's kind of boring, really. It looks good at the end, but to shoot it, it's not the most exciting thing.
I love pop music, but I also love noise music, IDM - anything really, I get something out of most kinds of music. I just need to enjoy the process.
Being homeschooled for half of my life allowed me to choose my own curriculum and find things I really enjoy, and that's kind of inspired me. I've always been intrigued in or interested in the topics I've been covering.
I have always been far more interested in sound than technique, and how sounds work together, how they can be layered. I think electronic music, in its infancy anyway, allowed us to create music in a way that hadn't really been possible before. It created a new kind of musician.
I think I take my job seriously, but I enjoy my life and I enjoy my friends, and I never really allowed myself to do that before. So I just kind of want to party with everyone.
I think the most important thing is that I'm making music that the people enjoy. So the fans, the people that are out there listening to music and consuming music, I want them to enjoy it and love it. And so that's more important to me than Grammys.
I believe, in a funny way, the job of the novelist is to be out there on the fringes and speaking for an experience that has not really been spoken for.
I feel like I have a lot of rhythm because I'm from the DMV. Because you got so many different types of music: Baltimore Club music, Go-Go, then you got the DMV rap music scene, then you got the DMV R&B music scene. It's a lot of music and it's a lot of taste that caters to most.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
If I can't play music, what am I gonna do? Music keeps people sane. When you enjoy yourself, most of the time the people who are listening to you enjoy it.
The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes.
When you are scripting, the scene, the dialogues, everything comes before you, taking final shape. That is truly the most creative aspect of filmmaking and that is what I enjoy the most.
It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.
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