A Quote by Walter Benjamin

Work on a good piece of writing proceeds on three levels: a musical one, where it is composed, an architectural one, where it is constructed, and finally a textile one, where it is woven.
Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
The Besicovitch style is architectural. He builds out of simply elements a delicate and complicated architectural structure, usually with a hierarchical plan, and then, when the building is finished, the completed structure leads by simple arguments to an unexpected conclusion. Every Besicovitch proof is a work of art, as carefully constructed as a Bach fugue.
When a writer's whole being is poured into a piece of work, there is never enough. The feeling of finally getting to the end of a piece of work, of making it as good as you can at that moment, is more of a relief than anything else, and then you wait for reviews.
Architectural drawing is a language with conventions where the rules can be deliberately misused; a well-composed architectural drawing can both contain correct and incorrect arrangements of meaningful things.
My grandmother had a cupboard where she kept her collections and textile samples of all sorts of things. When I had good grades, I could take out one piece of work to look at.
The main thing a poem ought to be is musical. It should be rhythmic. You should hear it as a musical piece in your head as you're writing it.
If we do not work on all three levels -- body, feeling, mind -- the symptoms of our distress will keep returning, as the body goes on repeating the story stored in its cells until it is finally listened to and understood.
I was really an actor before I knew I could sing. And I just put the two together and went to musical theater school. But acting is a huge passion of mine, so it doesn't matter which medium as long as I have the opportunity to grow and to learn from a piece of work and work with good people, and on a very good-quality project.
It is no use thinking that writing of poems - the actual writing - can accommodate itself to a social setting, even the most sympathetic social setting of a workshop composed of friends. It cannot. The work improves there and often the will to work gets valuable nourishment and ideas. But, for good reasons, the poem requires of the writer not society or instruction, but a patch of profound and unbroken solitude.
I was a procrastinator and a bookworm but I passed all my School Certificate exams, the equivalent of O-levels; I got three distinctions, three honours and three good passes.
I work in musical theater because people keep writing quality stories in the genre, and I'm really all about investing in a piece that says something about our current time, that is, a reflection on who we are today.
When people ask me if musical theatre should be taught in music colleges, I reply that there is no need. All anyone needs to study is the second act of La Boheme because it is the most tightly constructed piece of musical theatre that there is. It is practically director-proof: you can't stage it badly because it just works too well. If you can write La Boheme, you can write anything. I would also recommend studying Britten's Peter Grimes.
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here, but much of what’s on view is actually more about obsession and repetition: a couch made out of 3,500 quarters, a necklace composed of 100 handgun triggers. The building, too, seems caught between wanting to be an object of decorative delectation and making an architectural statement.
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
To be sure, no piece of social machinery, however well constructed, can be effective unless there is back of it a will and a determination to make it work.
When you work on a record for three years, it's a great sense of relief when it is finally out in the world. It just feels good.
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