A Quote by Walter Crane

I never saw anything more like real warfare in my life - only the attack was all on one side. The police, in spite of their numbers, apparently thought they could not cope with the crowd.
Well can I just make a point about the numbers because people talk a lot about police numbers as if police numbers are the holy grail. But actually what matters is what those police are doing. It's about how those police are deployed.
To do Mohammed justice, his main attack was against the idolatries of Asia. Only he thought, just as the Arians did and just as the Unitarians do, that he could attack them better with a greater approximation to plain theism. What distinguishes his heresy from anything like an Arian or Albigensian heresy is that, as it sprang up on the borders of Christendom, it could spread outwards to a barbaric world.
Her death has had a huge effect on me. It felt like a big hole appeared on my left side - apparently your left side is your mother - which I thought could never be filled. Now I think what you have to do is fill it with yourself because your mother is part of you. I'm easing into that space, using it and being comforted by it.
We don't have real control over death. You could die of a heart attack, a building could fall on you, you could be in an accident, you could have a fatal disease. So, how should you conduct your life? You just go ahead and live, taking reasonable precautions - like handling the mail more carefully.
In spite of language, in spite of intelligence and intuition and sympathy, one can never really communicate anything to anybody. The essential substance of every thought and feeling remains incommunicable, locked up in the impenetrable strong-room of the individual soul and body. Our life is a sentence of perpetual solitary confinement.
I never strike out at any life form. The only things I attack are icons of conspicuous consumption. People put objects in front of their life, in front of anything that has real importance. They make this 'thing' their God.
Nobody ever defended anything successfully, there is only attack and attack and attack some more.
I got scouted when I was 16, almost 17, and it was something that had never entered my thoughts. I never thought I could be a model. I was such a tomboy growing up, and I've never really been into makeup or anything like that, so it was really surprising, but I definitely saw it as an in for acting.
As a kid, I never thought I saw myself as unusual. I always thought that lots of people could do what I did. More and more I realized I was wrong.
I thought I could start over, you see. But now I know you can never start over. Not really. You think you have control, but you are like a fly in somebody else's web. Sometimes I think that's why I like accounting. All day, you are only dealing with numbers. You add them, multiply them, and if you are careful, you will always have a solution. There's a sequence there. An order. With numbers, you can have control.
I feel like I'm an ordinary person, but I've had extraordinary opportunities in my later life, and I never saw any of it coming. I never saw 'The Office' coming, I never saw 'Inside Out' coming, and I just feel grateful and thankful to have these opportunities and to have an actual real enthusiasm in my life.
In real life, I'm so goofy and super weird. I'm never mean, but people don't see the weird side of me. Like, I'll be dancing around. My best friends will always say that they wish others saw that side of me, when I'm doing a weird dance or weird faces or voices.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.
Theatre remains the only thing I understand. It is in the community of theatre that I have my being. In spite of jealousies and fears, emotional conflicts and human tensions; in spite of the penalty of success and the dread of failure; in spite of tears and feverish gaiety this is the only life I know. It is the life I love.
Even more ominous ... is the fact that since the Second World War a new kind of intellectual has emerged in large numbers. ... he is only minimally interested in the proper intellectual significance of images and objects. Such people are not really intellectuals, but visuals ... A visual is more interested in style than in content ... A visual does not feel a rioting crowd being machine-gunned by the police, he simply sees a brilliant news photograph.
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