A Quote by Walter Cronkite
Helping set the day's agenda and deciding what we used and editing it, that was a journalistic high point. I liked reporting as well. Just doing the news - the live performance - wasn't important. Working on the desk was.
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It used to be presumed that if you weren't at your desk working, you weren't working. But we said, why can't we make a workplace where casual meetings are as important as working at your desk? Sometimes that's where your better creative work happens.
It used to be presumed that if you weren't at your desk working, you weren't working, But we said, 'Why can't we make a workplace where casual meetings are as important as working at your desk?' Sometimes that's where your better creative work happens.
I think it's just about the machine is about reporting the news, and then reporting the news about the news, and then having those moments where they sit around and go, "Are we reporting the news correctly? I think we are." And then they go back to the and the cycle just sort of continues.
The traditional media does not have the kind of reporting muscle on the ground that it used to. I was very hopeful that the new digital media operations would pick up that slack, and a lot of them are trying and they're doing creative things. But none of them can scale appropriately to have enough journalistic firepower as well.
People are always surprised when they see me speak live that I have a sense of humor. And I say, Well, you know, there's not much opportunity to laugh when you're reporting the dread news of the day.
Working for CNN, you help set the agenda for decision makers and industry leaders simply by doing your job. What the network covers and how we cover it affects people. I am not naive enough to believe I work in some 'pure' news vacuum.
Sometimes in news photography and so on, the pictures are a little bit dry, and put on the page and just set in a journalistic way in front of you.
You have to have a high conception, not of what you are doing, but of what you may do one day: without that, there's no point in working.
There was a day where I was sitting at my desk, working 90-hour work weeks, in a suit, looking at a computer, with all these pitch books on my desk, and I just thought, 'This can't be my life.'
There was a day where I was sitting at my desk, working 90-hour work weeks, in a suit, looking at a computer, with all these pitch books on my desk, and I just thought, "This can't be my life..."
Having gone through editing process, I can see that in actor's faces there's point where they're not managing their performance and that's, I think, the best place to be. You've done the homework, you've learned the lines, at that point you just sort of let it out.
I don't like to do any editing on guitars. I think the more editing you do, it just takes away from the feel of the performance.
If people in the media cannot decide whether they are in the business of reporting news or manufacturing propaganda, it is all the more important that the public understand that difference, and choose their news sources accordingly.
When you find yourself on a pageant stage, there are a lot of unpredictable moments, and I think a lot of that translates to doing the live, breaking-news reporting that I do now.
Media bias in editorials and columns is one thing. Media fraud in reporting 'facts' in news stories is something else. ...The issue is not what various journalists or news organizations' editorial views are. The issue is the transformation of news reporting into ideological spin, along with self-serving taboos and outright fraud.
I never liked working on editorial-driven comics. I just didn't see what was the point. They don't pay well enough for me to write other people's ideas.
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