A Quote by Walter Cronkite

I can't go into a mob scene and sense the mood and the attitude of the crowd. I can't conduct man-on-the-street interviews or even get reactions that I can be sure are honest, because they know who I am.
With YouTube, it's mostly about scripting and editing. Live performances depend on the crowd, their mood and reactions.
I am very honest, even in interviews.
I am the people the mob the crowd the mass. Do you know that all the great work of the world is done through me?
I am a sick man...I am a spiteful man. I am an unattractive man. I think my liver is diseased. Then again, I don't know a thing about my illness; I'm not even sure what hurts.
Depression seems to be related to fear, anger and frustration. When you're in a bad mood, even if you meet with your friends, you don't take pleasure in their company. But when you're in a good mood, even if things go wrong, you can cope with them without difficulty. This is why putting yourself in a good mood, making a point of developing a sense of loving kindness gives you greater inner strength.
I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.
I come out before the matches because it's important the fans see I am in a good mood. When I get to the club, my mood is always lifted. You can be in a terrible mood, but once you are at Fulham, you are happy.
I am a method actor because I listen to a sad song when I have to act in a sad scene. That way, I try to get into the mood.
I'm sure there are close calls that we're not even aware of hundreds of times a year. You cross the street, and if you'd crossed the street two minutes later, you'd have been hit by a car, but you'd never know it. I'm sure that kind of stuff happens all the time.
In love stories you have to establish the mood and then you can go on. Writing thrillers are difficult because every scene needs a twist. May be comedy is even more difficult but I have no experience of it.
While people are quick to praise the wisdom of the crowd, being an old-school journalist, I look at the wisdom of the crowd and know it can quickly turn into a mob mentality.
I'm not a fatalist. I'm not a religious person. I'm sure there are close calls that we're not even aware of hundreds of times a year. You cross the street, and if you'd crossed the street two minutes later, you'd have been hit by a car, but you'd never know it. I'm sure that kind of stuff happens all the time.
I think that I'm pretty much who you see onscreen. Are there times when I ask questions of people and have a sense of what their answer may be? Sure. I think that you can't deny that. But you still want to hear from that person, even though you may anticipate what they may say. I am as natural right now as I am when I talk to somebody in the Middle East. It's just trying to be a real person to them. So long as I can be as honest with myself when I make a movie like that, I can continue to be honest with you.
We have to get a lot tougher. If you get involved in a street fight, you can't lay down in the street and act like you're dead because they will kill you for sure. You might as well get up and fight.
A crowd is an elemental thing. A word, a glance, and a crowd becomes a mob.
If interviews are just interviews or if music is just music, why are we even doing it? You only get so many hours in a lifetime, man.
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