A Quote by Walter Darby Bannard
No high-minded painter of the last fifty years has been able to come to terms with his art without coming to terms with the problem of cubism.
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Fifty-four years of love and tenderness and crossness and devotion and unswerving loyalty. Without her I could have achieved a quarter of what I have achieved, not only in terms of success and career, but in terms of personal happiness.
Look how far the human race has come in terms of air and space travel in the last hundred years. So in the next couple of thousand years, you've got to believe that we're going to be able to do all kinds of amazing things.
France has not been able to come to terms with the fact that it's not a major power anymore. I mean even before the Second World War Paris was one of the main centers of intellectual and cultural life. But now Paris is a kind of subsidiary of Germany, their traditional enemy and they can't come to terms with it.
If you look at all the comic book films that have come since then, in terms of tone, in terms of look, even in terms of Danny Elfman's music for Batman, so many that followed have been inspired by that, specifically. It had a cultural impact worldwide.
If you think in terms of a year, plant a seed; if in terms of ten years, plant trees; if in terms of 100 years, teach the people.
Neurologically, people have a need to feel oriented, to know where they are, not just in terms of a compass and not just in terms of geography, but in terms of their culture and history. To be informed about where they're coming from and to have some glimpse towards a hopeful future.
We have an Army that hasn't been in this position since World War II, in terms of levels and in terms of readiness and in terms of everything else. We are not capable like we have to be.
I can't think in terms of journalism without thinking in terms of political ends. Unless there's been a reaction, there's been no journalism. It's cause and effect.
Without being overtly political about it, if people with severe disabilities are calculated in societal terms purely as a monetised unit, in terms of how much they cost in terms of care, you lose an important sense of who they are and the effect they have.
Five years is a very long time. If you think about it in terms of just people's lives, in terms of who our audience is: if you were in high school when you first saw our stuff, you're in college now.
For me becoming a painter was an Everest, in terms of what I thought a painter was. There are many roads to becoming an artist. For me it wasn't art school. I didn't have that go to art school and then get a gallery. It's more like, how deep is your inner library to cull from. It's certainly not about technical prowess, just about depth of investigation. It takes time. I had 15 years of painting under my belt before my first New York show. I was glad to have that. It's a good thing to spend your twenties getting your craft.
The problem is that people really just don't care and they have been "educated" not to care about the monetary system: that it's boring, it's difficult to understand, we need to have high minded people like "Greenscum" and Bernanke to do things like this (and don't forget Volker, there's the whole cast of them). The thing is that people have been educated or miseducated or brainwashed into believing that this is wayyyy too complicated for regular people to understand and that we need to let PhD economists guide us along in terms of what's right... and that's all bull.
The problem is that people really just don't care and they have been "educated" not to care about the monetary system: that it's boring, it's difficult to understand, we need to have high minded people like "Greenscum" and Bernanke to do things like this (and don't forget Volcker, there's the whole cast of them). The thing is that people have been educated or miseducated or brainwashed into believing that this is wayyyy too complicated for regular people to understand and that we need to let PhD economists guide us along in terms of what's right... and that's all bull.
For me it was a lot harder to come to terms with the death of my grandfather than it was to come to terms with what's happened to the former Yugoslavia.
I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality; I didn't want the work to seem like a commodity.
All of the arts are kin - music and sculpture and dance, those are wordless art forms. But poetry is defined by language. Of course, each art is distinct, and has its own character - not just in terms of media, but in terms of what seems to lie at the heart of it.
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