A Quote by Walter Darby Bannard

Making art is like swimming underwater in a blindfold. — © Walter Darby Bannard
Making art is like swimming underwater in a blindfold.
That's part of the comedy, too, is we do have jokes throughout of hanging a lantern on the absurdity of the world. Like, when BoJack's flying over the neighborhood, you see some houses have swimming pools in the backyard, and what does that mean? Why would there be a swimming pool underwater? But we thought it was funny.
To get ready to climb Everest, I did a lot of hill running with a daypack on and a lot of underwater swimming. I would swim a couple of lengths underwater and then a couple above. It gets your body going with limited oxygen.
It's like swimming, underwater, this whole year. I just close my eyes. hold my breath, and keep kicking.
Most people exist in very clouded states of mind. It's sort of like when you're underwater in a big swimming pool and you open your eyes, and you can't see very far and everything is distorted.
It's hard to film underwater. It really is tricky. You don't have goggles, so you can't see anything. You don't know where you're swimming to. Everything's blurry.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
No one had ever done a swimming movie before so we just made it up as we went along. I ad-libbed all my own underwater movements.
Sea Hunt was the first time anyone tackled a show that took place underwater. The stories were sort of exciting for kids, like cops and robbers underwater.
I rehearsed it a lot underwater with a mouthpiece for Casino Royale and not freaking out, because you can't see a thing. It's like being in a really bad nightmare. I've never seen somebody drown, but I really swallowed water. It was like choreography. It was very emotional. I was crying underwater at one point.
I typically shoot underwater with my regular camera in an underwater housing, and then I usually have two big strobes that I use to light. But with whales, you're not going to be able to really light a 45-foot subject. Your strobes are only effective for maybe five or six feet underwater.
I train my chefs with a blindfold. I'll get my sous chef and myself to cook a dish. The young chef would have to sit down and eat it with a blindfold. If they can't identify the flavor, they shouldn't be cooking the dish.
Forcing your spouse to stop doing that bad habit that drives you crazy, or making your kid be better at math or at art or at swimming, or making your parents or your in-laws not be annoying in the way that they're annoying, these are sometimes doomed goals.
Writing a film - more precisely, adapting a book into a film - is basically a relentless series of compromises. The skill, the "art," is to make those compromises both artistically valid and essentially your own. . . . It has been said before but is worth reiterating: writing a novel is like swimming in the sea; writing a film is like swimming in the bath.
Po swirled upward from where it had been sitting, and floated over to the window. "When you go swimming and you put your head under the water," Po said, "and everything is strange and underwater-sounding, and strange and underwater-looking, you don't miss the air do you? You don't miss the above-water sounds and the above-water look. It's just different." "True." Liesl was quiet for a moment. Then she added, "But I bet you'd miss it if you were drowning. I bet you'd really miss the air then."
I love swimming, swimming's my passion and I hope I swim until the last day of my life, so I really, really do enjoy swimming, but swimming for me is simply a way of carrying a message.
Isn’t making a smoking section in a restaurant like making a peeing section in a swimming pool?
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