A Quote by Walter Darby Bannard

When art writing seems incomprehensible, chances are it is. — © Walter Darby Bannard
When art writing seems incomprehensible, chances are it is.
Painting is the making of an analogy for something non-visual and incomprehensible - giving it form and bringing it within reach. And that is why good paintings are incomprehensible. Creating the incomprehensible has absolutely nothing to do with turning out any old bunkum, because bunkum is always comprehensible.
Thought of the incomprehensible sequence of changes and chances that make up a life, all the beauties and horrors and absurdities whose conjunctions create the uninterpretable and yet divinely significant pattern of human destiny.
That's the way it is with poetry: When it is incomprehensible it seems profound, and when you understand it, it is only ridiculous.
Thats the way it is with poetry: When it is incomprehensible it seems profound, and when you understand it, it is only ridiculous.
There are very few good writers about art, and you either get art-fashion writing with trendy views or you get very traditional writing. Occasionally, you get people who can write in an interesting way. Really, I think in a sense art writing needs to be renewed as well. It's in a pretty bad condition.
Sometimes poetry, it is incomprehensible. But we need incomprehensible stuff! It is very healthy to talk about incomprehensible things! It is very healthy! We need it!
It seems to me that not only the writing in most children's books condescends to kids, but so does the art. I don't want to do that.
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
If it looks like art, chances are it's somebody else's art.
When I began making art, I just thought I liked it. As a woman who was placed in spaces with various conditions, conventions, and restrictions on self-expression, turning to art - whether visual art, writing novels, or writing articles - was to gain freedom from the space around me.
None of us older writers had gone through such a school. We are all self-taught. And, of course, there is always, in such a school, the danger of goose-stepping, uniformed ranks. But the Serapion Brethren have already, it seems to me, outgrown this danger. Each of them has his own individuality and his own handwriting. The common thing they have derived from the studio is the art of writing with ninety-proof ink, the art of eliminating everything that is superfluous, which is, perhaps, more difficult than writing.
To me there is nothing that goes against nature. If it seems incomprehensible, it's only because we haven't been able to understand it yet.
People always make the mistake of thinking art is created for them. But really, art is a private language for sophisticates to congratulate themselves on their superiority to the rest of the world. As my artist’s statement explains, my work is utterly incomprehensible and is therefore full of deep significance.
When you walk around braced for impact, you're dramatically decreasing your chances. Your chances to avoid the outcome you fear, your chances to make a difference, and your chances to breathe and connect.
To me there is nothing that goes against nature. If it seems incomprehensible, its only because we havent been able to understand it yet.
The function of art is to make that understood which in the form of argument would be incomprehensible.
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