One of the problems is that kids who don't read - who are not doing well in school - they know they're not doing well. And they want everyone to be in that same category.
If my kids are doing well, then my life is going pretty well. And if my kids aren't doing well, it doesn't matter how the other elements of my life are. It's kind of amazing to have a context like that. This is really wonderful.
Like the whole concept of profiling, you know, I mentioned the other day profiling, everyone goes, profile and profiling. Well, profiling is you know, in Israel they're doing it and they're doing it well.
If you're an old pro, you know how well you're doing when you're doing it, and your inner government spanks you if you're not doing well.
When you're doing well, a lot of people will recognise it, and when you're not doing well it's the same. It is about how you deal with it and control your mentality.
I'm not in a situation where you get a thousand scripts. You want to make a living, you want to put your kids through school. I'd rather do three bad films that pay well than do one good film every three years that doesn't pay well. ... To me, if you can get a steady check in this business, you're doing okay.
When I was in school I read a lot of comic books and pretend I was in them and kids would tease me and call me names. But now I do the same things and people say that I'm artistic and cool and I'm doing the exact same thing I did in high school.
I knew acting was what I wanted to do. I don't know if I was brilliant at it, but when I was doing school plays, I loved it so much I didn't want it to end. I feel like I'm exactly the same as when I was doing plays at school, to be honest.
I tell you this: You are your own rule-maker. You set the guidelines. And you decide how well you have done; how well you are doing. For you are the one who has decided Who and What You Really Are-and Who You Want to Be. And you are the only one who can assess how well you're doing.
Writing a novel - unlike operating a piece of heavy machinery, say, or cooking a chicken - is not a skill that can be taught. There is no standard way of doing it, just as there is no means of telling, while you're doing it, whether you're doing it well or badly. And merely because you've done it well once doesn't mean you can do it well again.
Ideally you do want people to treat you professionally in return, but not everyone necessarily does that. This acting job - it pays very well and you get to live a wonderful lifestyle, but it's something that I love doing, so I want to work with other people who enjoy it as well ... Maybe if I met the Queen I'd be nervous, though I'd probably be more nervous about doing things the right way because it's a very formal occasion.
The essential problems remain the same... The kids I write about are asking for the same things I wanted. They want two contradictory things. They want to be the same as everyone else, and they want to be different from everyone else. They want acceptance for both.
Pine View was a great school for me - it made it safe to be a nerd. It was okay to really care about doing your homework and doing well in school.
Well, they each seem to do one thing well enough, but fail to realize that literature depends on doing several things well at the same time.
I was always acting. I was doing after-school plays and stuff like that. But I wasn't doing well in any of the schools, so by ninth or tenth grade, I ended up going to a boarding school.
The working-class Africans are not doing very well, and one of the problems is their education is so shocking. It is routinely said it is a result of apartheid. Deliberately, black people were not allowed to know too much. They could read and write a bit to be useful, but that's about it.
I'm not in a recession. I'm doing very, very well. I'm doing incredibly well. I just want to be honest. I really am kicking ass.