A Quote by Walter Dean Myers
Like the Negro League players, I traveled through the segregated south as a young man. Because I was black, I was denied service at many restaurants and could only drink from water fountains marked 'Colored.' When I went to the movies, I would have to sit in the Colored balcony.
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We've had a great change. Dr King saw to that. I was so grateful to see the 'colored only' signs come off the water fountains and bathrooms in the south. But the struggle lives on.
I drank from colored water fountains and from the white water fountain just to see what it was like when I was a kid. What shocks me is that these kids today don't realize that this happened in many of our lifetimes.
The whites come to applaud a Negro performer just like the colored do. When you've got the respect of white and colored, you can ease a lot of things.
The miscegenation laws of the South only operate against the legitimate union of the races; they leave the white man free to seduce all the colored girls he can, but it is death to the colored man who yields to the force and advances of a similar attraction in white women. White men lynch the offending Afro-American, not because he is a despoiler of virtue, but because he succumbs to the smiles of white women.
Negro blood is sure powerful, because just one drop of black blood makes a colored man. One drop--you are a Negro! . . . Black is powerful.
Michelle Alexander's brave and bold new book paints a haunting picture in which dreary felon garb, post-prison joblessness, and loss of voting rights now do the stigmatizing work once done by colored-only water fountains and legally segregated schools. With dazzling candor, Alexander argues that we all pay the cost of the new Jim Crow.
If you grew up white before the civil rights movement anywhere in the South, all grown-ups lied. They'd tell you stuff like, 'Don't drink out of the colored fountain, dear, it's dirty.' In the white part of town, the white fountain was always covered with chewing gum and the marks of grubby kids' paws, and the colored fountain was always clean.
I speak for the colored women of the South, because it is there that the millions of blacks in this country have watered the soil with blood and tears, and it is there too that the colored woman of America has made her characteristic history and there her destiny is evolving.
The Circle Theatre, black people had to sit in the balcony. Any theater with a balcony, black people had to sit up there. Black people couldn't check into any hotel except their own. And black people couldn't eat anywhere except in their own restaurants.
Back in the day, prior to rock and roll, music halls, concert venues were segregated if they allowed black people in at all. You know, there were ropes that went around the sitting sections with signs hanging that would say, 'Sitting for white patrons only,' or 'Colored sitting only.'
Patience. I colored patience gray, hung over with black clouds. I colored hope yellow, just like the sun we could see for a few short morning hours. Too soon the sun rose high in the sky & disappeared from view, leaving us bereft and staring at blue.
Instead of the Negro leaders having the black man begging for a chance to - to dine in white restaurants, the Negro leader should be showing the black man how to do something to strengthen his own economy.
There is a great stir about colored men getting their rights, but not a word about the colored women; and if colored men get their rights, and not colored women theirs, you see, the colored men will be masters over the women, and it will be just as bad as it was before.
There is a great stir about colored men getting their rights, but not a word about the colored women; and if colored men get their rights, and not colored women theirs, you see the colored
men will be masters over the women, and it will be just as bad as it was before. So I am for keeping the thing going while things are stirring; because if we wait till it is still, it will
take a great while to get it going again.
I learned to play the git-tar from an old colored man in the streets of Montgomery. He was named Tetot, and he played in a colored street band.
What I found fascinating was just how quickly the best of the young Negro League players were drafted into the major leagues once Branch Rickey broke the color line by hiring Jackie Robinson. It was clear that all of the major league owners already knew the talents of the black ballplayers that they had refused to let into their league.
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