A Quote by Walter E. Williams

If you hate my guts and have designs to hurt me, and I see you building a cannon aimed at my house, I am not going to wait for you to finish construction. — © Walter E. Williams
If you hate my guts and have designs to hurt me, and I see you building a cannon aimed at my house, I am not going to wait for you to finish construction.
I grew up in a house that was constantly under construction. It's been under construction my whole life. My mom loves interior decor, and my dad loves construction - he loves demolition and building new walls.
I was going to do a big radio show, and I said to my driver, 'Radio can wait, take me to the Full House house.' It literally was a drive-by. I photobombed the Full House house yesterday. I took like 20 pictures because I thought I didn't look good in any of these - you can't see the house! You gotta really show that that's the house!
The mythology in rock n' roll is that I'm a bit of a loose cannon. Yet I've produced more music than anybody in my generation. So how much of a loose cannon am I? But the general public believes that I'm a loose cannon, so let them believe it. I'm not going to correct them.
I haven't done any building designs since the Loaf House.
I worked construction clean-up. I was driving a pickup truck at the age of 14 on a construction site. I loved building and being part of the process. You got to see your work.
I hate that she's hurt. I hate that she's been hurt, by me and by others, throughout the entire arc of her life. I barely remember pain, but when I see it in her I feel it in myself, in disproportionate measure. it creeps into my eyes, stinging, burning.
When you build a building, you finish a building. You don't finish a garden; you start it, and then it carries on with its life. So my analogy was really to say that we composers or some of us should think of ourselves as people who start processes rather than finish them. And there might be surprises.
Do you see how you hurt me, baby? So I hurt you too. Then we both get so blue. I am on a lonely road and I am traveling, looking for the key to set me free.
I'm not a blood and guts person. I remember seeing 'House of Wax' as a teenager in 3D. This was years ago, the original 'House of Wax', and that was scary enough for me that I thought I'd never see another one.
There are still many things to work on - the start, the transition, the finish. I am not just going to sit around and wait.
I think I live in this mythical world where doing the parts I do is not going to hurt me, and telling people my age is not going to hurt me. And it actually does. It's a bit sick-making but, you know, I can't change who I am.
Kanye's the best listener I've ever worked with. If I interrupt Kanye, every single time, he'll wait for me to finish before speaking. It's a running joke - sometimes I interrupt him just to see. And he always goes, 'No, no, finish. I want to hear what you have to say.'
If the bubble reputation can be obtained only at the cannon's mouth, I am willing to go there for it, provided the cannon is empty.
I'm a blowfish. I'm not a shark, I'm a blowfish. So that perfect example about me hitting my head, it's like a blowfish. I wasn't coming out of my house going to a paparazzi's house to attack them. I'm defending my family in front of my own house. I'm defending my name as someone's screaming something negative at me. That's a blowfish. People have me pinned as a shark or a predator in some way, and in no way am I that. I wouldn't want to hurt anyone. I want to defend people. I want to help people.
I was in rehearsal and reading the script and I was like, 'Wait, wait, wait, wait. I think I'm related to Data,' which was crazy but that was really cool. Going back to watch' Next Generation' and getting to see Brent doing his thing and just how incredible he was and it was obvious to see why he was such a beloved character.
There are nine million people who see me in the ring and hate my guts. Most of them are white. That's okay. Just spell my name right.
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