A Quote by Walter Gropius

A modern, harmonic and lively architecture is the visible sign of authentic democracy. — © Walter Gropius
A modern, harmonic and lively architecture is the visible sign of authentic democracy.
Modern science agrees that the universe consists of vibrations, but sound is more than vibration. Distinct from white noise, sound is vibrations in harmonic proportions, and from the billions of vibrations that are possible, the universe shows a startling, overwhelming preference for the few thousand that make harmonic sense.This is because the One, from which all things issue, is beautiful.
After World War II great strides were made in modern Japanese architecture, not only in advanced technology, allowing earthquake resistant tall buildings, but expressing and infusing characteristics of traditional Japanese architecture in modern buildings.
In architecture the pride of man, his triumph over gravitation, his will to power, assume a visible form. Architecture is a sort of oratory of power by means of forms.
Mies van der Rohe's architecture and modern architecture in general suffered from not only being repetitive, but not explaining to the populous what the different rooms were for.
We've been fighting from the beginning for organic architecture. That is, architecture where the whole is to the part as the part is to the whole, and where the nature of materials, the nature of the purpose, the nature of the entire performance becomes a necessity-architecture of democracy.
So here I stand before you preaching organic architecture: declaring organic architecture to be the modern ideal.
In a modern democracy, not only can a libertarian be elitist; a libertarian has to be elitist. To be a libertarian in a modern democracy is to say that nearly 300 million Americans are wrong, and a handful of nay-sayers are right.
All important architecture of the last century was strongly influenced by political systems. Look at the Soviet system, with its constructivism and Stalinism, Weimer with its Modern style, Mussolini and, of course, the Nazis and Albert Speer's colossal structures. Today's architecture is subservient to the market and its terms. The market has supplanted ideology. Architecture has turned into a spectacle. It has to package itself and no longer has significance as anything but a landmark.
I want to try to come away from that one directional, clear rectangular form. It's not used because it's the most beautiful form; it's just the practical thing. That's why our TVs are rectangles. Even in modern architecture, they want us to believe, "That's the nicest, most beautiful thing." I love modern architecture, but actually it's that they cannot afford amorphous shapes or ornaments.
The authentic self is the soul made visible.
The dollar sign is the only sign in which the modern man appears to have any real faith.
Chicago's one of the rare places where architecture is more visible.
In my opinion, using different kinds of epithets and adjectives in connection with the word democracy is a sign of mere hypocrisy, to put it mildly. Either there's democracy, or there isn't.
Using modern guitar techniques and modern methods on an early instrument is not a very clever thing to do, because it is the authentic spirit of the instrument that should dictate the quality and characteristic of the sound.
A sacrament is a visible sign of an invisible reality.
I am more convinced than ever that a lively two party system is essential to our democracy.
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