A Quote by Walter Gropius

New synthetic substances - steel, concrete, glass - are actively superseding the traditional raw materials of construction. — © Walter Gropius
New synthetic substances - steel, concrete, glass - are actively superseding the traditional raw materials of construction.
The tragic effects of terrorism have forced the new-construction industry to re-evaluate traditional methods of fire protection in commercial infrastructures. That includes everything from building codes, to structural design issues and the less durable fireproofing materials currently specified for commercial steel structures.
Carbon is the stuff of life, and it's the stuff of everything used by human society. All of our materials are made of carbon or of substances, such as steel or glass, which are produced through the utilization of carbon.
We brick-and-mortar ourselves away from nature. The outside world is behind glass, underneath a slab of concrete, running through PVC. Our steel and concrete are suitable enough until nature comes knocking. And when she wants to get in, nothing can stop her.
Fate is the raw materials of experience. They come uninvited and often unanticipated. Destiny is what a man does with these raw materials.
Since Europe is dependent on imports of energy and most of its raw materials, it can be subdued, if not quite conquered, without all those nuclear weapons the Soviets have aimed at it simply through the shipping routes and raw materials they control.
The will to be totally rational is the will to be made out of glass and steel: and to use others as if they were glass and steel.
You employ stone, wood and concrete, and with these materials you build houses and palaces. That is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good, I am happy and I say: This is beautiful. That is Architecture. Art enters in.
And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
Perhaps the simplest example is a synthetic plastic, which unlike natural materials, is not degraded by biological decay. It therefore persists as rubbish or is burned-in both cases causing pollution. In the same way, a substance such as DDT or lead, which plays no role in the chemistry of life and interferes with the actions of substances that do, is bound to cause ecological damage if sufficiently concentrated.
You feel a certain way in a glass or concrete or limestone building. It has an effect on your skin - the same with plywood or veneer, or solid timber. Wood doesn't steal energy from your body the way glass and concrete steal heat. When it's hot, a wood house feels cooler than a concrete one, and when it's cold, the other way around.
The construction of 'Sekiro''s world is based on that of traditional Sengoku, or medieval Japan. To that end, we made sure to reference a lot of written materials on that period as well as actually visit several locations.
I use different kinds of materials on different kinds of projects. Today we can do things with steel and glass that we could not do before. flexible enough to change.
The future does not really lie in discovering new fragrant raw materials.... In order to endure, haute perfumery is therefore condemned to inventing new olfactory promises...to finding a new form of expression.
Gasoline prices are a direct reflection of the cost of the raw materials to produce the gasoline, no different than any other product that you would buy, whether it's a good or some other consumable, or it's a luxury item. It's all a function of what do the raw materials cost.
As architects we are often involved in the concrete-steel-and-glass aspect of it, but cities are social structures, and to be involved in imagining the future of cities and the type of relationships and the types of places that we're making is something that intrigues me very much.
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