A Quote by Walter Gropius

Capitalism and power politics have made our generation creatively sluggish, and our vital art is mired in a broad bourgeois philistinism. — © Walter Gropius
Capitalism and power politics have made our generation creatively sluggish, and our vital art is mired in a broad bourgeois philistinism.
The detective novel is the art-for-art's-sake of our yawning Philistinism, the classic example of a specialized form of art removed from contact with the life it pretends to build on.
We live in capitalism, its power seems inescapable - but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
I would say that I have been consistent in my broad view of how American power should be deployed, and the view that we underestimate our power when we restrict it to just our military power. We shortchange our influence and our ability to shape events when that's the only tool we think we have in the toolbox.
A generation of Earth Days has conditioned millions of us to be green in our homes yet we must apply the same ethic to our politics if we want to save our planet and our democracy.
All existing art was religious until perhaps a hundred years ago. Within that there's obviously been lots of room for manipulation. I think that's because our current religion is capitalism. Capitalism has the functions of patronage, commissions, control of content, bestowing of space, elevation of certain artists over others based on how much they pander to people in power, the determination of value of the work, all of it. Capitalism commissions artwork now, the market.
The attempt to divide art and politics is a bourgeois which says good poetry, art, cannot be political, but since everything is … political, even an artist or work that claims not to have any politics is making a political statement by that act.
There never was a set of men since God made the world under a stronger responsibility to warn this generation, to lift up our voices long and loud, day and night as far as we have the opportunity and declare the words of God unto this generation. We are required to do this. This is our calling. It is our duty. It is our business.
For over a century, popular struggles in the democracies have used the nation-state to temper raw capitalism. The power of voters has offset the power of capital. But as national barriers have come down in the name of freer commerce, so has the capacity of governments to manage capitalism in a broad public interest. So the real issue is not "trade" but democratic governance.
Chairman Mao creatively applied Marxism-Leninism to every aspect of the Chinese revolution, and he had creative views on philosophy, political science, military science, literature and art, and so on. Unfortunately, in the evening of his life, particularly during the "Cultural Revolution", he made mistakes - and they were not minor ones - which brought many misfortunes upon our Party, our state and our people.
Power is a central issue in social and personal transformation. Our sources and uses of power set our boundaries, give form to our relationships, even determine how much we let ourselves liberate and express aspects of the self. More than party registration, more than our purported philosophy or ideology, personal power defines our politics.
I think my generation has had an unbelievably easy time profiting from the world that was made for us by our parents and grandparents. We are essentially a rather frivolous generation. The Blair government was my generation's shot at power. It had some good things, but it had some flaws.
[Rock and the intellectual Left] must both be interpreted as parts of the cultural fabric of late capitalism. Their success comes from the bourgeois' need to feel that he is not bourgeois.
For Americans of the Greatest Generation that fought World War II and of the Silent Generation that came of age in the 1950s, the great moral and ideological cause was the Cold War. It gave purpose and clarity to our politics and foreign policy, and our lives.
The religion of art, like the religion of politics, was born from the ruins of Christianity. Art inherited from the old religion the power of consecrating things and endowing them with a sort of eternity; museums are our temples, and the objects displayed in them are beyond history. Politics--or more precisely, Revolution--co-opted the other function of religion: changing human beings and society. Art was an asceticism, a spiritual heroism; Revolution was the construction of a universal church.
Who are we to think that our generation is going to be the first generation to benefit from all the sacrifices that others have made without giving some modern-day equivalent of our own lives, fortunes, and sacred honor?
Let the message go out - a new generation has taken charge of Labour which is optimistic about our country, optimistic about our world, optimistic about the power of politics. We are optimistic and together we will change Britain.
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