A Quote by Walter J. Phillips
Many rules for the creation of colour schemes have been published in recent years, but, while they are popular in commercial studies, I know of no creative artist who employs them. They are, per se, restrictive; their use precludes any chance of adventuring in this interesting field.
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I know there is gender imbalance in the spec fic field, and it concerns me very much. We live in a gender-biased world. There have been some fascinating discussions and studies on this on the internet in recent years. There seem to be a lot of women writing spec fic and not as many getting published, or otherwise taken seriously. While it seems there is less overt bias against women writers compared to a few decades ago, there are still institutionalized biases, subtler biases that are harder to discern. I think these are serious issues that deserve examination by the community.
Business is a creative and therefore spiritual endeavor. Great entrepreneurs enter the field of business in the same way great artists enter the field of art. With their business creation, entrepreneurs express their spiritual desire for self-realization, evolutionary passion for self- fulfillment, and creative vision of a new world. The entrepreneur's business is their artwork. The creation of business is as creative as any creation in art. In fact, building a business may be the most creative human activity.
I have published so many books in so many years. I can't complain about any lack of attention. But I've never been placed as a Southern writer, which I really am. So I was happy finally to be published by someone in the South.
But, in fairness to them, too, the popular song per se is really a pretty shallow medium to perform in.
Given the devaluation of literature and of the study of foreign languages per se in the United States, as well as the preponderance of theory over text in graduate literature studies, creative writing programs keep literature courses populated.
Govinda and I met after a very long time. We did many films together but I really didn't know that we were so popular as a jodi. We haven't kept in touch per se, but sometimes bumped into each other at a party or two. We don't have common friends, we have no commonalities.
I don't have a problem with the concept of a box set per se - we have many of them merrily lined up on the shelf above the telly. No, what gives me the pip is the fact that I'm never going to watch any of them.
I do not claim any of the creation of the blues, although I have written many of them even before Mr. Handy had any blues published. I heard them when I was knee-high to a duck.
Comedy has no rules, per se.
I feel more like a creative artist using photography because there's - the digital work is so interesting now. It's come to that. I have had many different stages of photography - there are many different ways to take photos. But I feel now I'm in that stage of my life where I use the camera, you know, in that way.
We proclaim human intelligence to be morally valuable per se because we are human. If we were birds, we would proclaim the ability to fly as morally valuable per se. If we were fish, we would proclaim the ability to live underwater as morally valuable per se. But apart from our obviously self-interested proclamations, there is nothing morally valuable per se about human intelligence.
The corporate sector per se is bottom-line oriented. It can be very corrupt and it is not very principled. That is why I don't think it is sufficient just to have voluntary codes of behavior. I am in favor of legislation which helps to ensure that there is an even playing field and rewards those who play by the rules.
It is only in the last 800 years that the rules have come into being and conservative Zen has surfaced. It is not particularly popular in Japan at all. Hardly anybody practices Zen any more because it's just too strict; there are too many rules.
I was a commercial artist when I left school, but luckily I became an actor. I've painted for many, many years. Now the last few years it's gotten more serious.
The reader is the content of any poem or of the language he employs, and in order to use any of these forms, he must put them on.
The government only makes restrictive rules, they don't show you what to do so you know, OK, here's where we need this many apartments, with open space, playgrounds, kindergartens.
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