A Quote by Walter J. Phillips
While it is emotion that gives an impulse to the landscape painter, it is his style that inspires the critic's praise, and his subject that inveigles the untutored beholder.
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The present is always unsettled, no one has had time to contemplate it in tranquillity . I was a painter before I was a writer and a painter never wants the subject right under his nose; he wants to stand back and study a landscape with half-closed eyes.
The painter who is content with the praise of the world for what does not satisfy himself, is not an artist, but an artisan; for though his reward be only praise, his pay is that of a mechanic.
When a painter is working he is aware of the means which are available to him - these include his materials, the style he inherits, the conventions he must obey, his prescribed or freely chosen subject matter - as constituting both an opportunity and a restraint.
A man is known by the books he reads, by the company he keeps, by the praise he gives, by his dress, by his tastes, by his distastes, by the stories he tells, by his gait, by the notion of his eye, by the look of his house, of his chamber; for nothing on earth is solitary but every thing hath affinities infinite.
An artist must first of all respond to his subject, he must be filled with emotion toward that subject and then he must make his technique so sincere, so translucent that it may be forgotten, the value of the subject shining through it.
Good work is no done by "humble" men. It is one of the first duties of a professor, for example, in any subject, to exaggerate a little both the importance of his subject and his own importance in it. A man who is always asking "Is what I do worth while?" and "Am I the right person to do it?" will always be ineffective himself and a discouragement to others. He must shut his eyes a little and think a little more of his subject and himself than they deserve. This is not too difficult: it is harder not to make his subject and himself ridiculous by shutting his eyes too tightly.
The one impulse in man which cannot be erased is his impulse toward freedom, his impulse toward sanity, toward higher levels of attainment in all of his endeavors.
I understand Simeone as a coach. His style and his passion for success are clear, and that inspires me too.
And yet day and night meet fleetingly at twilight and dawn," he said, lowering his voice again and narrowing his eyes and moving his head a quarter of an inch closer to hers. "And their merging sometimes affords the beholder the most enchanted moments of all the twenty four hours. A sunrise or sunset can be ablaze with brilliance and arouse all the passion, all the yearning, in the soul of the beholder.
Sketching is almost everything. It is the painter's identity, his style, his conviction, and then color is just a gift to the drawing.
A lake is a landscape's most beautiful and expressive feature. It is Earth's eye; looking into which the beholder measures the depth of his own nature.
It is alleged by men of loose principles , or defective views of the subject, that religion and morality are not necessary or important qualifications for political station. When a citizen gives his vote to a man of immorality , he abuses his civic responsibilty. He sacrifices not only his own interest but that of his neighbor, and he betrays the interest of his country.
The musician writes for the orchestra what his inner voice sings to him; the painter rarely relies without disadvantage solely upon the images which his inner eye presents to him; nature gives him his forms, study governs his combinations of them.
[On the Barbie doll:] Her values, while somewhat Yuppified, are not so bad. Look at GI Joe. His only wardrobe is fatigues, he spends all his time trying to kill people, or getting his own innards splashed across the landscape. His big hobby is death.
The moral duty of the free writer is to begin his work at home: to be a critic of his own community, his own country, his own government, his own culture. The more freedom the writer possesses, the greater the moral obligation to play the role of critic.
In literary art, as in the art of the architect, the painter, the musician, signs that the artist is thinking of his own achievement more than of his subject always offend me.
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