A Quote by Walter J. Phillips

Luminosity is a quality dependent as much on technique as on the physical properties of individual pigments. — © Walter J. Phillips
Luminosity is a quality dependent as much on technique as on the physical properties of individual pigments.
The upshot is that most philosophers of biology now hold that biological properties supervene on physical properties (where supervenience is taken to include some kind of "in virtue of" relation), and that fitness and other biological properties are not identical with physical properties.
I also assume that they are not simply the physical properties of things as now conceived by physical science. Instead, they are ecological, in the sense that they are properties of the environment relative to an animal.
The quality of your life is dependent upon the quality of the life of your cells. If the bloodstream is filled with waste products, the resulting environment does not promote a strong, vibrant, healthy cell life-nor a biochemistry capable of creating a balanced emotional life for an individual.
Much of the point of individual action is really to communicate with other people and with political leaders and to demonstrate to them that we are willing to live lives which are less dependent on fossil fuels and we'll show you that now by changing our individual life to some extent but we want you to take action, political leaders, so that we aren't living in a society in which we're dependent on poisoning the future in order to maintain present lifestyles.
I feel like everything in your life begins with physical conditioning. I love eating sweets and stuff like that but I feel like the quality of my parenting is based on my physical conditioning; the quality of my relationship with my wife, the quality of all the interactions I have in my life start with being in great physical condition.
I'm interested in the fact that within science, you're dealing with properties of the real and physical world, and by using those properties you're really getting more in touch with the basis of reality and using that expressively.
With God thoughts are colors, with us they are pigments-even the most abstract one may be accompanied by physical pain.
If you can stop using substance or stop your addictive behavior for extended periods of time without craving, you are not dependent. You are dependent only if you can't stop without physical or psychological distress (you have unpleasant physical and/or psychological withdrawal symptoms) or if you stop and then relapse.
Emergent properties result from interactions between individual parts, so it follows that a top down analytical approach that begins with the whole and dissects it into its constituent parts is bound to miss precisely those emergent properties
There are some people who have the quality of richness and joy in them and they communicate it to everything they touch. It is first of all a physical quality; then it is a quality of the spirit.
The beauty of the game is strength, stamina and technique and when you shorten the game, technique goes for a toss and the quality of badminton will surely go down in this system.
As a bureaucracy becomes more established, it develops its own career structure. It is less dependent, and should be less dependent, on individual personalities. Absolutely no one is indispensable.
I don't want dead paint, so I test many of my works by studying them in a dark room at twilight or even after dark to check the luminosity. If the darker forms still have resonance and luminosity, I know the painting's working.
As analytical pharmacologists, what we are allowed to see of a new molecule's properties is totally dependent on the techniques of bioassay we use.
Souls (or minds) are thought of as purely non-physical, they can't be weighed, split in half, heated or cooled, they lack mass, electric charge and so on...but how could they possibly have a cause and effect relationship with bodies that are said to have these, and only these physical properties?
I am sincerely trying now to create a dance technique based entirely upon corrective exercises, created with a knowledge of human anatomy; a technique which will correct physical faults and prepare a dancer for any type of dancing he may wish to follow; a technique having all the basic movements which govern the actions of the body; combined with a knowledge of the origin of movement and a sense of artistic design.
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