A Quote by Walter J. Phillips
Is the artist impelled by spiritual forces, by the divine afflatus, by conscious or unconscious emulation of others? Do angles whisper in the ears of the chosen few, and create for them visions of aethereal beauty? Do landscape painters of genius walk the plains of Heaven? Or is it only vanity that urges him to paint?
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There are, of course, always painters whom I admire and find fascinating. I've often thought, 'Goodness, if I could paint like the Danish Golden Age painters, the early 19th century painters, the way they could paint a landscape - absolutely beautiful.'
I think you too recognize the important relationship between philosophy and art, and it is just this relationship that most painters deny. The great masters do grasp it, unconsciously; but I believe that a painter's conscious spiritual knowledge will have a much greater influence upon his art, and that it would be due only to a weakness in him, or lack of genius, should this spiritual knowledge be harmful to his art.
I direct my attention to the individual, to make him strong, to teach him that he himself is divine, and I call upon men to make themselves conscious of this divinity within. That is really the ideal --conscious or unconscious --of every religion.
As painters...we must always remember that our precious poetic visions and spiritual insights will remain forever locked within us until we can boil them down to a complex arrangement of a few hundred or possibly even thousands of brushstrokes.
How to paint the landscape: First you make your bow to the landscape. Then you wait, and if the landscape bows to you, then, and only then, can you paint the landscape.
Biomimicry is … the conscious emulation of life’s genius.
Inspiration: A peculiar effect of divine flatulence emitted by the Holy Spirit which hisses into the ears of a few chosen of God.
...And for every day you paint the war, take a week and paint the beauty, the color, the shape of the landscape you’re marching towards. Everyone knows what you’re against; show them what you’re for.
There are no limits to what you can create for you, because your ability to think is unlimited! But you cannot create other people's lives for them. You cannot think for them, and if you try to force your opinions on others you will only attract like forces to you. So let all others create the life they want.
Religion urges us to fight evil as contrary to the Divine Law. It urges us to combat abject misery, sin and disease because God is. In His name we can work, as we believe in co-operation with Him, since through Him goodness must ultimately prevail.
Never strive, O artist, to create what you are not irresistibly impelled to create!
Through prayer you can gather the riches of heaven and bring them down to earth...you can delight in the beauty of heaven and carry it in your heart...you can enjoy the fellowship of heaven and walk in it throughout the day.
Within me is the potential to commit every evil act I see being committed by other men, and unless I feel this potential, I can at any moment be controlled by these same urges. I am free from these urges only if I recognize when I am feeling them, and while feeling them and acknowledging them to be me, choose not to follow them. Only in this way can I begin to regain the disowned parts of me. And only in this way can I know what it is I am criticizing in others.
...visions are messages from the Great Spirit, each for a different purpose in life. Consequently, one person's vision may not be that of another. To have a vision, one must be prepared to receive it, and when it comes, to accept it. Thus when these inner urges become reality, only then can visions be fulfilled. The spiritual side of life knows everyone's heart and who to trust. How could a vision ever be given to someone to harbor if that person could not be trusted to carry it out. The message is simple: commitment precedes vision.
And often he who has chosen the fate of the artist because he felt himself to be different soon realizes that he can maintain neither his art nor his difference unless he admits that he is like the others. The artist forges himself to the others, midway between the beauty he cannot do without and the community he cannot tear himself away from.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
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