A Quote by Walter Jon Williams

Try to meet as many authors, agents, and editors as you can. — © Walter Jon Williams
Try to meet as many authors, agents, and editors as you can.
To practice - write each and every day if possible - then try to attend professional writer's conferences where you can learn your craft, get to know fellow writers, and meet editors and agents.
Publishers, editors, agents all have one thing in common, aside from their love of cocktail parties. It's an incredible taste and an ability to find and nurture authors.
At every writers' conference, you have the opportunity to hear from best-selling authors, top literary agents, and excellent editors who will demystify the publishing industry and give you great advice, no matter where you are in your writing career or what you're currently struggling with.
Authors don't tend to stay with the same agents and editors over their entire lifetimes, but Grafton worked with Marian Wood, her editor at Putnam, from Kinsey's first outing, and signed with Molly Friedrich, still her literary agent, with the publication of 'B Is for Burglar.'
I know that many authors say editors don't edit anymore, but that's not been true in my experience.
I have wanted to write from a young age, but working with so many gifted authors and editors over the years has taught me so much. I doubt I would be where I am today without that amazing experience.
I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet.
I'm thoroughly convinced that editors don't help authors.
Authors should do multiple submissions to agents. I mean, that's the way the business world works and whether or not the industry likes it or not, they can't stop you from submitting to multiple agents and you know what? If an agent misses out on you because they took too long with your query letter, tough luck for them.
Contrary to popular belief, editors and agents are gagging for good books.
Agents are deal makers, and they're really, really good at making deals. But they're also exceptionally helpful after the deal is made - agents act as a good intermediary between authors and publishers whenever disagreements come up.
I think more people now have relationships with agents than with editors. And I don't have an agent.
The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
Great editors do not discover nor produce great authors; great authors create and produce great publishers.
Authors who moan with praise for their editors always seem to reek slightly of the Stockholm syndrome.
I've heard a lot of editors and agents say, "If the book is good, it will get published." I totally disagree with that.
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