A Quote by Walter Jon Williams

An SF author who reads only SF will have little new to contribute, but someone with a broader experience will bring more to the table. — © Walter Jon Williams
An SF author who reads only SF will have little new to contribute, but someone with a broader experience will bring more to the table.
Movie SF is, by definition, dumbed down - there have only been three or four SF movies in the history of film that aspire to the complexity of literary SF.
Anything can happen in SF. And the fact that nothing ever does happen in SF is only due to the poverty of our imaginations, we who write it or edit it or read it. But SF can in principle deal with anything.
SF isn't a genre; SF is the matrix in which genres are embedded, and because the SF field is never going in any one direction at any one time, there is hardly a way to cut it off.
I think these days an SF connection would be a boost to other books; I'm sure more people have read my two little detective puzzles because of the SF connection.
There's certainly more new SF available than when I started writing. That means there's also more bad SF available. Whether there is also more good is a matter for future historians of the field.
There's a long-standing (50 year old) flame war within the field over whether it's "sci-fi" or "SF".SF has traditionally been looked down on by the literary establishment because, to be honest, much early SF was execrably badly written - but these days the significance of the pigeon hole is fading; we have serious mainstream authors writing stuff that is I-can't-believe-it's-not-SF, and SF authors breaking into the mainstream. If you view them as tags that point to shelves in bricks-and-mortar bookshops, how long are these genre categories going to survive in the age of the internet?
I think the rising and falling popularity of areas like hard SF and far-future SF is, to a considerable extent, the same as any other fashion.
War has always been a part of science fiction. Even before the birth of SF as a standalone genre in 1926, speculative novels such as 'The Battle of Dorking' from 1871 showed how SF's trademark 'what if' scenarios could easily encompass warfare.
Very little in science fiction can transcend the gimmickry of a technical conceit, yet without that conceit at its heart a book is not truly science fiction. Furthermore, so little emerging thought and technology is employed by sf writers today that the genre is lagging far behind reality both in the cosmology area and the technology area: sf is no longer a place to experiment, but is now very derivative.
What SF author or fan isn't interested in human space travel? I've yet to meet one.
In 2007, I sold my first book, 'Grimspace.' It says it's SF on the spine. I believe it to be SF, though it's certainly written differently. I write in first person, present tense, and the protagonist is a woman with a woman's thoughts, feelings, and sexual desires.
Many a fine SF story uses science or technology merely as backdrop. Many a fine SF story presumes a technological breakthrough and explores its implications without attempting to predict how the thing might actual work.
Most of my poetry lies beyond the SF field, yet here I am corralled into 'SF poetry' as part of this poetry weekend. Of course, some might say, 'you've made your own bed - now you must lie in it!' But, while fully accepting that dictum, I'm not yet quite prepared to lie down.
Not all SF or fantasy has to inspire new scientists and engineers.
There is so little SF drawn from modern scientific thinking, in any discipline, that I'm much more cheered by the successes than the failures, most of which are forgivable.
There's no possibility that foresight work will ruin my creativity. It goes to a different area than the creative wellspring of SF.
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