A Quote by Walter Keane

It is tragic that Howard Hughes had to die to prove that he was alive. — © Walter Keane
It is tragic that Howard Hughes had to die to prove that he was alive.

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I don't agree with everything he did in his life, but we're dealing with this Howard Hughes, at this point. And also ultimately the flaw in Howard Hughes, the curse so to speak.
Howard Hughes was able to afford the luxury of madness, like a man who not only thinks he is Napoleon but hires an army to prove it.
Howard Hughes himself was a regular at the restaurant, and in a way it became his headquarters, too. Howard had recently relocated to Las Vegas, so when he wanted to do business in Los Angeles, he went into the back of our restaurant to use the telephone.
When we die to something, something comes alive within us. If we die to self, charity comes alive; if we die to pride, service comes alive; if we die to lust, reverence for personality comes alive; if we die to anger, love comes alive.
It is impossible to think of Howard Hughes without seeing the apparently bottomless gulf between what we say we want and what we do want, between what we officially admire and secretly desire, between, in the largest sense, the people we marry and the people we love. In a nation which increasingly appears to prize social virtues, Howard Hughes remains not merely antisocial but grandly, brilliantly, surpassingly, asocial. He is the last private man, the dream we no longer admit.
Hughes: (Talking for Mustang) 'I won't allow you to die under my jurisdiction because it'd be a pain to clean up the mess.' That's what he said. Edward: Fine. Tell him, 'Understood. I'll never die before you, colonel, you @#'$ idiot.' Hughes: Ha ha ha! They say the ruder you are, the luckier you are! In that case, you and Roy are gonna live forever!
First off, I love Woody Allen. His early movies, like 'Hannah and Her Sisters,' are incredible. I also love anything by Billy Wilder, Ron Howard and John Hughes. I really grew up on the Hughes films, which are the ones I go back and watch all the time, just to see how they were put together.
My life with Howard Hughes was and shall remain a matter on which I will have no comment.
I was born in 1942, so I was mainly aware of Howard Hughes' name on RKO Radio Pictures.
The Howard Hughes I knew began to change after his plane crash in 1941.
They held up 'The Outlaw' for five years. And Howard Hughes had me doing publicity for it every day, five days a week for five years.
For years, Warner Bros. was trying to get me to make a movie about Howard Hughes.
After a year or so I really thought I was Howard Hughes. Here I was at eighteen years old, getting all these checks.
Howard Hughes was this visionary who was obsessed with speed and flying like a god... I loved his idea of what filmmaking was.
You know, no one's ever gonna be like, 'We need to do a movie about Howard Hughes. Time to cast Idris Elba!'
If I were to pick the life of someone whom I professionally mimic in many ways, it would be Howard Hughes, surprisingly.
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