A Quote by Walter Kirn

A writer turns his life into material, and if you’re in his life, he uses yours, too. — © Walter Kirn
A writer turns his life into material, and if you’re in his life, he uses yours, too.
A writer is someone who tells you one thing so someday he can tell his readers another thing: what he was thinking but declined to say, or what he would have thought had he been wiser. A writer turns his life into material, and if you're in his life, he uses yours, too.
The creative writer uses his life as well as being its victim; he can control, in his work, the self-presentation that in actuality is at the mercy of a thousand accidents.
Man has used human rhythmic movement as raw material out of which to create works of art, as the composer of music uses sound, the sculptor uses stone and wood, the painter his pigments, and the writer - words.
Your identity is firmly anchored in Christ's accomplishment, not yours; his strength, not yours; his performance, not yours; his victory, not yours.
Of all the animal creations of God, main is the only animal who has been created in order that he may know his Maker. Man's aim is life is not therefore to add from day to day to his material prospects and to his material possessions, but his predominant calling is, from day to day to come nearer to his own Maker.
The historian ought to be the humblest of men; he is faced a dozen times a day with the evidence of his own ignorance; he is perpetually confronted with his own humiliating inability to interpret his material correctly; he is, in a sense that no other writer is, in bondage to that material.
There's a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him - or he starts to see it having a life of its own that doesn't have anything to do with his ego or his desire to 'be a good writer'.
There's a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him - or he starts to see it having a life of its own that doesn't have anything to do with his ego or his desire to 'be a good writer.'
One's entire life - his mental state, his health, his relationships, the material gains that he may or may not make - are all effects which have been set in motion by causes to be found somewhere in one's background, in this life or previous ones.
Writing itself, if not misunderstood and abused, becomes a way of empowering the writing self. It converts anger and disappointment into deliberate and durable aggression, the writer's main source of energy. It converts sorrow and self-pity into empathy, the writer's main means of relating to otherness. Similarly, his wounded innocence turns into irony, his silliness into wit, his guilt into judgment, his oddness into originality, his perverseness into his stinger.
By his very profession, a serious fiction writer is a vendor of the sensuous particulars of life, a perceiver and handler of things. His most valuable tools are his sense and his memory; what happens in his mind is primarily pictures.
An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way... An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience.
Every writer, by the way he uses the language, reveals something of his spirit, his habits, his capacities, his bias....Avoid the elaborate, the pretentious, the coy, and the cute. Do not be tempted by a twenty-dollar word when there is a ten-center handy, ready and able.
Too vast is Man and too imponderable his nature. Too varied are his talents, and too inexhaustible his strength. Beware of those who attempt to set him boundaries.Live as if your God Himself had need of you His life to live. And so, in truth, He does.
There are no times in life when opportunity, the chance to be and do, gathers so richly about the soul as when it has to suffer. Then everything depends on whether the man turns to the lower or the higher helps. If he resorts to mere expedients and tricks the opportunity is lost. He comes out harder, poorer, smaller for his pain. But, if he turns to God, the hour of suffering is the turning hour of his life.
The craving for colour is a natural necessity just as for water and fire. Colour is a raw material indispensable to life. At every era of his existence and his history, the human being has associated colour with his joys, his actions and his pleasures.
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