A Quote by Walter Kirn
I had the impression from reading English literature that British women were great beauties, and I only had seen Julie Christie, and she was gorgeous and sexy. I don't know whether it was just my taste, but when I got to London, I went two years without seeing a truly attractive woman. A lot of near misses.
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The extraordinary woman depends on the ordinary woman. It is only when we know what were the conditions of the average woman's life - the number of children, whether she had money of her own, if she had a room to herself, whether she had help bringing up her family, if she had servants, whether part of the housework was her task - it is only when we can measure the way of life and experience made possible to the ordinary woman that we can account for the success or failure of the extraordinary woman as a writer.
I had the advantage, that I know Swedish. So I had the Swedish book and I had a lot of English translations, and German translations, and I did everything to make the best English translation of August Strindberg's Miss Julie I could. And then, there I went. "Oh! I think she's thinking this, but I think she should say it!" And so on. It's wonderful to do that.
I got sent off to my grandmother's for five months and watched a lot of TV and had a lot of grilled cheese with butter on it - because she was English and put lots of butter on everything - and yogurt. The English are big on dairy products, you know? I'd have an earache, and she'd be like, "Here, have some milk." Wonderful woman, but she had kind of screwed-up nutrition ideas.
I love the Sixties with Julie Christie and Jane Birkin - those natural English beauties. That's the look that is most me, when I wore the tight-to-the knee dresses. I don't think I bleached my hair until I was 20. I like experimenting for big occasions, though. You've always got to do a bit of a number for the birthday!
He was the tallest, thinnest, weariest boy I had ever seen in my life. He was brilliant. He had gorgeous brown eyes, and he had only two suits. He was completely unhappy, and I didn't know why.
Every woman is multifaceted. Every woman has a switch, whether she's going to be maternal, whether she's going to be a man-eater, whether she has to kick ass, whether she has to be one of the boys, whether she has to show the guys that she's just as smart or smarter, she's just as talented or creative. Women suppress a lot of their sides.
My taste comes from when I was 12 years old and saw Genesis or Laurie Anderson or some performance artist who had put paint on himself. I've seen a lot of theater, but that's not what woke up my taste to become a director; nontheatrical things were much more theatrical than the theater I was seeing.
Even though Kate had only known Hale for a little more than two years, she had seen him in a lot of situations.
I had passed through the entire British education system studying literature, culminating in three years of reading English at Oxford, and they'd never told me about something as basic as the importance of point of view in fiction!
Some of the greatest guitarists, historically, have had no chops, they've just had great taste. I know a lot of musical school kids who just have no taste.
The whole business of reading English Literature in two years, to know it in any reputable sense of the word - let alone your learning to write English - is, in short, impossible.
When I was a young woman, I had this friend who was really beautiful, and she would talk about how she was losing her looks, that she wasn't as pretty as she once was. She was gorgeous, and I thought, I'm going to stop this bad habit of self-criticism that I think a lot of women get into. You make a choice to be different.
I decided to become an actor at five. I saw the most gorgeous woman that I had ever seen in my five years of living on television. She had on a long, red dress and her eyelashes looked like butterflies and I said, "Grandmamma, who is that?" She said, "Baby, that's Lola Falana." I said, "That's it right there. I want to be black, fabulous, and on TV."
Sarah Brown is a sweetie to work with. She's a good actress. She's gutsy and she comes in and she knows her lines. She's just terrific. Sometimes I forget how young she is, because she truly walked right in and took the territory and was able to hold her own with people who've been here for so many years. To be able to pull that off [for someone who had never been on a show], I really give the woman a lot of credit. She's done great.
I remember reading 'The Grapes of Wrath' in high school in 1983. My family had immigrated to the U.S. three years before, and I had spent the better part of the first two years learning English. John Steinbeck's book was the first book I read in English where I had an 'Aha!' moment, namely in the famed turtle chapter.
I understand Goldman Sachs businesses. We do lot of business with him, and GE has been - I think it's the longest running stock in the Dow Jones industrial average. It will be 100 years now it will be around. I hope I'm around then, too. And it was an attractive investment. And we have had a lot of money around, over the last two years, and we're seeing things that are attractive now.
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