A Quote by Walter Kirn
On the Web, we can be whoever we wish to be, editing the face we show to others in ways that aren't possible in physical space. We can also fine-tune the complexity and depth of our interactions and relationships.
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I believe human beings mark a threshold in the development of the planet, of course, but it is only part of the picture. What Big History can do is show us the nature of our complexity and fragility and the dangers that face us, but it can also show us our power, with collective learning.
Cities are just a physical manifestation of your interactions, our interactions, and the clustering and grouping of individuals.
We women often gauge our own self-worth by the quality of our interactions with our lovers. And often these interactions are interpreted for, described for, processed by our women friends. Relationships are the conduits through which flows our connection with each other.
For just as some people want a purely spiritual Christ, without flesh and without the cross, they also want their interpersonal relationships provided by sophisticated equipment, by screens and systems which can be turned on and off on command. Meanwhile, the Gospel tells us constantly to run the risk of a face-to-face encounter with others, with their physical presence which challenges us, with their pain and their pleas, with their joy which infects us in our close and continuous interaction.
I don't think there are any rules in real face-to-face relationships or interactions. I think authenticity and being yourself is always, without a doubt, the best plan of action. Things happen differently when you're actually here, so you can't put out a general guideline that's gonna show up in text and be interpreted. There are no rules. Just be yourself.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
My take is that the kind of complexity which says we can always generate complexity from simple interactions following for example rules.
Amazing fine tuning occurs in the laws that make this complexity possible. Realization of the complexity of what is accomplished makes it very difficult not to use the word 'miraculous' without taking a stand as to the ontological status of the word.
As adults, we must ask more of our children than they know how to ask of themselves. What can we do to foster their open-hearted hopefulness, engage their need to collaborate, be an incentive to utilize their natural competency and compassion...show them ways they can connect, reach out, weave themselves into the web of relationships that is called community.
When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
We all wish to be brave and strong in the face of disaster. We all wish to be looked up to for our endurance and efforts to help others.
Television is such an evolving medium. When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
Many quantum physics are realizing or hypothesizing that consciousness is not a byproduct of evolution as has been suggested. Or for that matter, an expression of our brains, although it expresses itself through our brains. But consciousness is the common ground of existence that ultimately differentiates into space, time, energy, information and matter. And the same consciousness is responsible for our thoughts, for our emotions and feelings, for our behaviors, for our personal relationships, for our social interactions, for the environments that we find ourselves in, and for our biology.
People deal with grief in many different ways. And some people in show business parade their relationships around like an accessory, and others like to keep it separate from business and commerce. It's perfectly fine to say, 'I actually don't want to talk about my love because that's not part of the fantasy world I created in commerce.'
There's a fine line between helping others and being a people pleaser, and mistaking one for the other can be hugely detrimental. When we put others' needs before our own, we deplete our energy, which can lead to depression, physical illness, and overwhelm.
In Riemann, Hilbert or in Banach space Let superscripts and subscripts go their ways. Our symptotes no longer out of phase, We shall encounter, counting, face to face.
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