A Quote by Walter Kirn
Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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We human beings have enormous difficulty in focusing on the present; we always thinking about what we did, about how we could have done it better.... or else we think about the future, about what we're going to do.... But at this precise moment, you also realize that you can change your future by bringing the past into the present. Past and future only exist in our mind. The present moment, though, is outside of time, it's Eternity.... It isn't what you did in the past the will affect the present. It's what you do in the present that will redeem the past and thereby change the future.
Science fiction is a great way to pretend you are writing about the future when in reality you are attacking the recent past and the present. You can criticize communists, racists, fascists or any other clear and present danger, and they can't imagine you are writing about them.
It was never too late to learn something. The past is unalterable in any event. The future is the only thing we can change. Learning the lessons of the past is the only way to shape the present and the future.
Part of getting other people to focus on the future rather than being myopically focused on the present is about living that way yourself and showing that you can make choices today that are about future outcomes and still be having a great time into the present and enjoying your life.
When you forgive, you in no way change the past - but you sure do change the future.
Writing is the best way to get your mind clear. It's also a great way to explain your past or what you hope for the future.
Cosmology does, I think, affect the way that we perceive humanity's role in nature. One thing we've learnt from astronomy is that the future lying ahead is more prolonged than the past. Even our sun is less than halfway through its life.
In a way all writers are writing against death, because writing is an attempt to defy the passage of time, to refuse to let the past disappear and be forgotten, and to refuse to let the present become the past - to try to keep living another day, to try to talk your way into life, or seduce your way into it.
And it's just anathema to being a writer. It's not healthy. But in another way, when I'm writing, what it's about for me is being good on the page. None of that noise could change the way I feel about my writing. Which is not always particularly positive.
The past cannot remember the past. The future can't generate the future. The cutting edge of the instant right here and now is always nothing less than the totality of everything there is.
Prayer is not a way to get what we want to happen, like the remote control that comes with the television set. I think that prayer may be less about asking for the things we are attached to than it is about relinquishing our attachments in some way. It can take us beyond fear, which is an attachment, and beyond hope, which is another form of attachment. It can help us remember the nature of the world and the nature of life, not on an intellectual level but in a deep and experiential way. When we pray, we don't change the world, we change ourselves. We change our consciousness.
As you transition from the past and future world of the mind to the awakened world of now, you will begin to experience yourself in an entirely new way. A way that is free of the pain and limitations of the past, and free of anxiety about the future. And you will begin to experience the abundance that is ever present in each moment.
I think the future is like anything else that's important. It has to be earned. If we don't earn it, we don't have a future at all. And if we don't earn it, we don't deserve it, we have to live in the present, more or less forever. Or worse, we have to live in the past. I think that's probably what love is - a way of earning the future.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
I'm an optimist.
I've always believed the future is going to be better than the past.
And I also believe I have a role in that.
The great thing about human beings, myself in particular, is that I can change.
I can do better.
If you can get up every day, stay optimistic, and believe the future is better than the past, those few things get you through a lot of tough times.
What I find is that many times when I work with chance, with indeterminacy, I am more open to experience, less prone to a fixed process, and I think it creates a very important challenge. It creates a way of writing that is, in a way, flatter or smooth, a surface conducive to release, to movement. And in this way, the form of writing gets delightfully melded with the process of the writing.
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